#26
Posted: 1/6/15 at 5:06pm
"Part of Guys and Dolls takes place in Havana, Cuba."
Not to mention the sewers of NYC. Then we can add the South Pacific, a show boat on the Mississippi, Argentina and River City, IA.
As this thread suggests, musicals with exotic settings are actually the norm, rather than the exception. Even the best "contemporary-set" musicals (COMPANY, FALSETTOS) tend to make the modern day "exotic" by setting their stories in "psychological" spaces. Or they "exoticize" the present day by adding a supernatural element (ONE TOUCH OF VENUS).
It's really only the musical comedies built around vaudeville routines of the 20s-40s that have true, contemporary settings. And even then those settings often have a taste of the exotic: Coney Island, say (I HAD A BALL), a cruise ship (ANYTHING GOES) or a dude ranch (GIRL CRAZY).
Exotic settings demand greater spectacle, obviously, but I also think they help audiences accept that characters burst into song on the street. After all, the show is set in an imaginary place with picturesque customs. (I'm not saying the thinking is that literal; I think the reaction is instinctive.) The exotic setting and characters are more likely to be "big enough" to sing.
Not to mention the sewers of NYC. Then we can add the South Pacific, a show boat on the Mississippi, Argentina and River City, IA.
As this thread suggests, musicals with exotic settings are actually the norm, rather than the exception. Even the best "contemporary-set" musicals (COMPANY, FALSETTOS) tend to make the modern day "exotic" by setting their stories in "psychological" spaces. Or they "exoticize" the present day by adding a supernatural element (ONE TOUCH OF VENUS).
It's really only the musical comedies built around vaudeville routines of the 20s-40s that have true, contemporary settings. And even then those settings often have a taste of the exotic: Coney Island, say (I HAD A BALL), a cruise ship (ANYTHING GOES) or a dude ranch (GIRL CRAZY).
Exotic settings demand greater spectacle, obviously, but I also think they help audiences accept that characters burst into song on the street. After all, the show is set in an imaginary place with picturesque customs. (I'm not saying the thinking is that literal; I think the reaction is instinctive.) The exotic setting and characters are more likely to be "big enough" to sing.
Updated On: 1/6/15 at 05:06 PM