#26
Posted: 7/28/08 at 12:13am
After being rained out on Tuesday and really wanting to hear The Flesh Failures/Let the Sun Shine,I took a chance on the weather tonight and got to the stand by line for cancellations at 6:45. Managed to get a great seat center front!
The show is joyous to be sure! I noticed that Groff wasn't doing as much of his stiff arm pointing at the audience in every song (Thank god) but he still doesn't quite connect. I thing the wig is a big mistake. I don't know if the character of Claude would have hair the length of Berger, who is totally committed to the "HIppy Movement". Claude would have long hair but not quite with that abandon. Berger it seems is a resident of the park, Claude still lived at home. Ah that is the designer in me coming out.
All in all it was well worth the second look. Yes, it is dated, that Viet Nam War was very different. We could watch on TV our neighbors kids coming home in boxes, heck in some cases you could watch them get shot on the 11 O'clock news!
Everyone was subject to the draft ( I got my notice in the mail and I remember that horror! Luckily I had a very high number and the draft ended the year I graduated High School). Sure the reaction to the present war is different. We (for the time being) have a volunteer Army.
The show is dated, a period piece but there is something that reaches across the time , that for me seems universal, the joyousness and innocence of youth. The idealism and love of life. The questioning the need to fight, to lay down ones life for God, for Country, for political ideals.
Let's not forget that incredible score! I believe this was one of the first Broadway shows to have a number of songs make the charts and some in the top 10. I could be wrong.
Some of the cast members seemed to embody the time period and manifested it at the Delcorte with abandon, others I agree, acted as if they were at a Hippy themed get together.
I loved the fact that at curtain call when audience members were invited onstage, there were people who had lived through that time, dressed that way for real (Damned did we really look that crazy? One guy had a vest just like my prized leather fringed one which got tossed last year) fought those fights, dancing with their Grandkids! All giving in to the wave of Flower Power, Make Love Not War, energy that was prevalent then and now every evening in Central Park.
Let the Sunshine!
The show is joyous to be sure! I noticed that Groff wasn't doing as much of his stiff arm pointing at the audience in every song (Thank god) but he still doesn't quite connect. I thing the wig is a big mistake. I don't know if the character of Claude would have hair the length of Berger, who is totally committed to the "HIppy Movement". Claude would have long hair but not quite with that abandon. Berger it seems is a resident of the park, Claude still lived at home. Ah that is the designer in me coming out.
All in all it was well worth the second look. Yes, it is dated, that Viet Nam War was very different. We could watch on TV our neighbors kids coming home in boxes, heck in some cases you could watch them get shot on the 11 O'clock news!
Everyone was subject to the draft ( I got my notice in the mail and I remember that horror! Luckily I had a very high number and the draft ended the year I graduated High School). Sure the reaction to the present war is different. We (for the time being) have a volunteer Army.
The show is dated, a period piece but there is something that reaches across the time , that for me seems universal, the joyousness and innocence of youth. The idealism and love of life. The questioning the need to fight, to lay down ones life for God, for Country, for political ideals.
Let's not forget that incredible score! I believe this was one of the first Broadway shows to have a number of songs make the charts and some in the top 10. I could be wrong.
Some of the cast members seemed to embody the time period and manifested it at the Delcorte with abandon, others I agree, acted as if they were at a Hippy themed get together.
I loved the fact that at curtain call when audience members were invited onstage, there were people who had lived through that time, dressed that way for real (Damned did we really look that crazy? One guy had a vest just like my prized leather fringed one which got tossed last year) fought those fights, dancing with their Grandkids! All giving in to the wave of Flower Power, Make Love Not War, energy that was prevalent then and now every evening in Central Park.
Let the Sunshine!
Those Blocked: SueStorm. N2N Nate. Good riddence to stupid! Rad-Z, shill begone!