NYTimes review of LIGHT IN THE PIAZZA OBCR

My memory may be failing but I can't remember the last time the Times published an OBCR review. In any case, great review and great publicity for this beautiful score/show.


LIGHT IN THE PIAZZA OBCR REVIEW

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Well, MusicMan, your inability to back up why you believe that makes your statement pretty worthless as criticism, too.

I think it's a well written review and encapsulates a great deal of the critic's knowledge. Remember, it is an educated opinion by a professional. I know some of us don't agree with critics all the time nor believe that true, but that's what this is supposed to be at any rate.

Personally, I think Piazza is an incredibly romantic score: I'm not sure what I would go back to for comparison, but I don't think there's been anything quite as impressive as this in a couple decades. The overture itself is gorgeous. But I'm equally blown away by the individual songs. Every one possesses and entrancing melody - I feel like every time I listen to the score I'm swept away to Firenze. I know that sounds idiotic, but I really find validity in Mr. Holden's comments.

This is what I'd call a "Money review"! It's remarkable positive, and it's amazing that the NYTimes is even reviewing a cast album! I think it make LITP the front runner for a Best Score Tony at the very least!

"The most romantic score since West Side Story? That statement alone renders this 'review' worthless as criticism."

Turn the Victrola off.

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