There are lots of instances of integral and/or artistic but debatably essential nudity on Broadway. Off the top of my head, The Elephant Man, M. Butterfly, Equus, Jumpers, The Changing Room, Steaming, Romantic Comedy, Sweet Sue, Love! Valour! Compassion!, Angels in America, The Wild Party, The Will Rogers Follies, Frankie and Johnny in the Clair de Lune, The Women (in its recent revival) and Requiem for a Heavyweight all featured nudity. L! V! C! went a little overboard, in my opinion, in that there were times when I didn't feel it necessary for the characters to be naked. Also, The Will Rogers Follies offered a topless female dancer and Jerry Mitchell in a red jockstrap, in the deliriously over the top opening number for no apparent purpose, though looking at beautiful naked people is never a chore. Otherwise, though, the nudity in the rest of the above titles were often a major element in the plot or in a particular scene.
Tom Hewitt, in his Broadway.com interview, offers a very reasonable justification for the nudity in Dracula:
Q: How do you feel about the nudity in the show? [Hewitt rips Melissa Errico's top open in one scene, and co-star Kelli O'Hara is totally nude with her back to the audience in another.] Is it necessary?
A: Those decisions aren't up to me, but I don't mind it, There's a dangerous sensuality in Bram Stoker's novel that manifested itself in covert, oppressed Victorian ways. To get any sort of sexual danger on the stage, we have to be more overt, more up to date. So I think that's why it's there, I don't think it's gratuitous; I think it's there for a reason.
"Gif me the cobra jool!"
Updated On: 8/12/04 at 02:32 PM