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Okay Kid, Go To It

NYC_or_Bust Profile Photo
NYC_or_Bust
#0Okay Kid, Go To It
Posted: 4/18/05 at 7:45pm

I really need some help finding some sheet music to "One For My Baby" for a musical revue for school. I was wanting it more like (if not the same verision of) Bette Midler on Johnny Carson on the last show. A teacher asked me to sing this (it's my sen. year and I'm leaving a few days afterwards to join the tour of 42nd Street. But I really do need some help. I've been going all the usual places I know, but you all are so good at gathering info, I thought you might be able to help me out. MUCH appreciated


I adore the black band holding on the Phantom's mask. ~ Jenna2

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redhotinnyc2
#1re: Okay Kid, Go To It
Posted: 4/18/05 at 8:57pm

Why not ask Marc Shaiman for it? I believe he did the arrangement - but I may be wrong - seems I saw a post about that a few months back. He seems like the nicest guy - perhaps he'd send it to you...it can't hurt to ask.


"I don't really get the ending,all i can go with is when after several months,Judith saw Pat sang,and later she kissed him on the toilet,after that the story back to where Pat went down from the stage after he'd sung,and he went to the italian lady.I just don't get it,what Judith exatcly meant when he kissed Pat that she had seen,and did Pat end up together with The Italian Lady?Please help me,thank u very much!" Quote from someone on IMDB in reference to a movie he/she didn't understand. Such grammar!

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ChrisLovesShows
#2re: Okay Kid, Go To It
Posted: 4/18/05 at 9:11pm

NYC, you may know this, but if you want to HEAR that version, it is on Bette's ablum, Experience the Divine - Greatest Hits.


"Do you know ChrisLovesShows?" "Yes. Why, yes he does!"

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CapnHook
#3re: Okay Kid, Go To It
Posted: 4/18/05 at 9:19pm

http://www.sheetmusicdirect.com


"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle


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