#1
Posted: 5/16/05 at 8:28pm
I actually don't like the way Antonio Bandares sings this. Is he supposed to say "yeew," because he does and it bothers me to no end.
#2
Posted: 5/16/05 at 8:44pm
I don't mind so much.
He has so much going for him in his performance of Guido Contini, I can forgive a small flaw here and there.
He has so much going for him in his performance of Guido Contini, I can forgive a small flaw here and there.
" ...the happiness in the tune convinces me that I'm not afraid."
Updated On: 5/16/05 at 08:44 PM
#3
Posted: 5/16/05 at 9:01pm
Antonio was great as Guido, and, as a result, that is my favorite song.
#4
Posted: 5/16/05 at 9:09pm
Don't get me wrong. I like Antonio Bandares on the rest of the cast recording, but him in this song bothers me.
#5
Posted: 5/16/05 at 9:34pm
Don't worry MFL.
I gotcha!
I gotcha!
" ...the happiness in the tune convinces me that I'm not afraid."
#6
Posted: 5/16/05 at 10:08pm
I went into this show knowing that Chita was going to have one solo so I was prepared to be pretty bored while she was off stage. I got the surprise of my life!
I loved the show. Banderas was wonderful and Mary Stuart Masterson drove me into a "google" frenzy searching for any version I could find of "Be On Your Own" until the CD came out.
I loved the show. Banderas was wonderful and Mary Stuart Masterson drove me into a "google" frenzy searching for any version I could find of "Be On Your Own" until the CD came out.
#7
Posted: 5/16/05 at 10:11pm
I loved and miss that show very much.
" ...the happiness in the tune convinces me that I'm not afraid."
#8
Posted: 5/16/05 at 10:29pm
funny, i've been noticing this with a lot of men in theater. the "yeew" disease.
happens in aida (how i know "yeew"), rent (manley pope used to be a big "yeew" guy), tick tick boom (raul - what can "yeew" do). and others that aren't coming to mind right now. when i started realizing a trend, i was thinking .. "some voice teacher is really taking over broadway, making everyone say 'yeeew'."
happens in aida (how i know "yeew"), rent (manley pope used to be a big "yeew" guy), tick tick boom (raul - what can "yeew" do). and others that aren't coming to mind right now. when i started realizing a trend, i was thinking .. "some voice teacher is really taking over broadway, making everyone say 'yeeew'."
#9
Posted: 5/16/05 at 10:44pm
i noticed this too mfl... it annoyed me in the beginning, but the production is too good to worry about that. especially mary stuart masterson, who brings me to tears! ironically, i have the opposite problem, my voice teachers have always told me that my 'you' is too open and i need to close the vowel more.. haha
#10
Posted: 5/17/05 at 12:15am
It is a gorgeous song in general. It was one of the call back songs for our auditions this year and as I sat there listening to 4 different girls sing it, I seriously bawled my eyes out the whole time. Couldn't help it LOL. If anyone is interested this fall University of Illinois department of theatre is performing NINE. I am assistant directing it and it is going to be amazing!!!!
(Martha Graham from a letter to Agnes de Mille) "There is a vitality, a life force, a quickening That is translated through you into action, And because there is only one of you in all time, This expression is unique. If you block it, It will never exist through any other medium And be lost. The world will never have it. It is not your business to determine how good it is, Nor how valuable it is, Nor how it compares with other expressions. It is your business to keep it yours, clearly and directly, To keep the channel open. You do not even have to believe in yourself or your work. You have to keep open and aware Directly to the urges that motivate you. Keep the channel open. No artist is pleased. There is no satisfaction whatever at any time. There is only a queer, divine dissatisfaction, A blessed unrest that keeps us marching And makes us more alive than others."
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