I agree with peerrjb.
"Waiting Around for the Girls Upstairs" was a perfect concoction of Sondheim's writing and Bennett's staging. Past and present intertwined and the result was dazzling.
I saw the original 6 times and I was obsessed by it. I can only see that a huge grin would come over my face each time that song began. It still happens when I listen to the OBCR.
Lines like "Weren't we chuckle-heads then?" and "Life was fun and oh-so intense. / Everything was possible and nothing made sense" and "Very young and very old hat, / Everybody has to go through stages like that" are Vintage Sondheim: at once epigrammatic, paradoxical and perfect expressions of character.
"All Things Bright and Beautiful" doesn't belong there. If you listen to the lyrics, the song is another candidate for the "Too Many Mornings" slot, in which Sally falls in love with Ben all over again while Ben recalls his failed promises to her. The lyrics don't belong in the opening.
Updated On: 12/22/09 at 11:00 PM