I'll start off just to give an example. So far, the most amazing reinterpretation of a Broadway musical that I've seen has been the American Sign Language version of Big River in 2003 because it was so incredible how the sign language was never a distraction from the actual show as it traditionally is. It almost became choreography.
"Ev'ry-buddy wants ta get into de act!"
- Jimmy Durante
"Breathe from your hoo-hoo."
-Kristin Chenoweth
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."
The 1973 Prince restaging of Candide -- a total reinvention of that show.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
I also vote for Cabaret, though if I had seen it, I probably would say Big River, as well.
Q: What is the most weirdest or funniest thing a fan has asked you?
Joe Flanigan, Stargate Atlantis: When a fan asked me for help with his grammar. I'm available.
I'm familiar with how Big River was reninvented, and I've seen a college production of Cabaret (as well as the movie of course), but could someone expand on what exactly the 1998 revival did to reinvent the show? I Really wish I'd gotten the chance to see it!
Little off topic--the Cabaret production I saw used the ending from a revival (I don't think it was the 98 one) that literally BLEW ME AWAY...(spoiler, I guess?) It was after Cliff leaves from the train station and the Emcee, wearing a jacket and checking tickets, sings part of Wilkommen a cappela and then slowly takes off his jacket while saying the last words (Cabaret, cabaret, something like that) to reveal a concentration camp outfit...BAM. I loved it, because I'd never tought of it like that, and then I thought back at how so many of the Kit Kat Club numbers are poking fun at the Nazis as well as reflecting society and the persucution of the Jews...I hadn't thought of the possibility of the emcee actually being one. (sorry for any misspellings in my little rant...im egg-zost-edd)
altho i never saw any of the original versions, i thought both CABARET & SWEENEY TODD were brilliant in their staging. also loved the revival of LA CAGE but heard that wasn't much different from the original