Broadway Star Joined: 4/27/05
As an aspiring composer, I am wondering if anyone could tell me how to conduct a search to see whether or not a literary work is in the public domain?
Any information would be much appreciated.
Updated On: 7/13/08 at 04:38 PM
it basically depends on when the creators (all of them ) died, plus a varying number - now about 70 - years.
Google the subject. There are all sorts of sites.
Also please not that extensions can be granted for a number of reasons, so be very careful.
Universal had no rights to "Frankenstein" yet the successfully scared away many adapters with threats of a lawsuit (they came after me for trying to pitch a "Mummy" movie six years before they did the Brendan Fraser versions).
Broadway Star Joined: 2/21/06
As allofmylife points out, there are all sorts of variations and premutations, but in general, the older, the better.
Probably the easiest way would be to pick up your book, note the name of the publisher, and give them a phone call. I'm not sure who you'd ask to speak to once you're through to the publisher, but whoever answers the phone will certainly have a better idea. As you're looking at public domain, you will most certainly be dealing with publishers and maybe estates; if it were modern work, you'd want the author and/or their agent.
Remember that some plays and books may be public domain now--but the translation in your hand may not be.
Broadway Legend Joined: 12/15/05
Depends on what you're trying to adapt. If it's a novel, the publisher, if it's a movie, the studio. I'm developing a musical based on a play (actually, I'm looking for a composer now lol). I got adaptation rights simply by writing the author, and setting up a meeting to discuss what I wanted to do.
Stand-by Joined: 6/5/08
Title 17, Chapter 3 of the U.S. Code, (Duration of Copyright) details the current law.
It'd not particularly difficult "legalese":
The biggest problem if a work is not in the public domain is frequently receiving permission from the individual holding the rights. Sometimes the up-front money
is prohibitive and at other times permission is not given for many reasons. It took
the Steppenwolfe Theater Company a long, long time to convince Steinbeck's widow that "The Grapes of Wrath" should be adapted and that group had a lot of money and clout.
It's a shame. There are so many wonderful works crying out for theatrical adaptations but they'll never see the light of day. But here is the law:
www.law.cornell.edu/uscode/17/usc_sup_01_17_10_3.html
Videos