Here is the thing, my friends who are composers aside from their personal goals of what their music might sound like, all want to be succesful. It's been a while since I read the RENT book, but doesn't it say something to the affect that he dreamt of the day he could quit his job and just live off of the success of his music? He would have wanted as many people as possible to hear his music.
My whole take on the RENT movie is this. I don't care for arguements that RENT should close or arguements that a movie is only an attempt to revive ticket sales, or that the movie should be one way or another. The reality is that its a new fresh interpertation of a wonderful piece of work. No matter how much we want it to, we'll never have the magic of the original months of RENT on broadway. We can argue that RENT is sad, slopy, and "not as good" these days, but I simply have this to say: Every performance is a new one. You can't compare it with the past. You can't hold one thing to anothers standards. We should rejoice that the movie musical is being revived. We should rejoice that more people will hear/see RENT who havent seen it before (and maybe never would) We should rejoice that we'll have a new recording to listen to. We should rejoice that good people have signed on to work on this.
LASTLY:
We should rejoice that once the movie is made there will be more more false rumors or false starts about a RENT movie being made. Justin Timberlake anyone?
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