#1
Posted: 3/25/11 at 9:24am
in this season, the creative struggles of SPIDERMAN have nearly overshadowed another show troubled in the more traditional way, in its out of town genesis that SPIDERMAN avoided. The other musical had a more "proven" B'way team, but has still had tweaks by whole new creatives, the crediting for which has not been nearly as public as that of SPIDERMAN.
It begs the question: if you were a Broadway-bound director/author whose work was being SEVERELY updated by more famous NYC names, what would you do? continue to claim credit even though all the real folks knew what happened, the folks u want to work with in the future? come clean?
and if you were the fixer-uppers, would you admit repackaging schlock for the moolah, or try to "ghost" though in this cyber-age we all know who you are and what you're doing?
DISCUSS AMONGST YOURSELVES
It begs the question: if you were a Broadway-bound director/author whose work was being SEVERELY updated by more famous NYC names, what would you do? continue to claim credit even though all the real folks knew what happened, the folks u want to work with in the future? come clean?
and if you were the fixer-uppers, would you admit repackaging schlock for the moolah, or try to "ghost" though in this cyber-age we all know who you are and what you're doing?
DISCUSS AMONGST YOURSELVES
Will: They don't give out awards for helping people be gay... unless you count the Tonys.
"I guarantee that we'll have tough
times. I guarantee that at some point
one or both of us will want to get out.
But I also guarantee that if I don't
ask you to be mine, I'll regret it for
the rest of my life..."
