To a person, nearly everyone who saw it the first two weeks hated it. I'm not sure how the show transformed itself by the fourth week of previews, but by the time I saw it, it was truly sublime (other friends have told me similar stories about Richardson in CABARET -- one friend who calls her Sally Bowles the finest performance he's seen by a musical actress in 25 years, also noted that she seemed a bit lost and not quite there during the early previews). Blanche and Stanley are incredibly complex and difficult roles and it takes a little time for actors to hit their stride playing them.
Reilly was not doing Brando -- THANK GOD. He was doing his own interpretation of Stanley that was fully supported by the text. And look, I know the film inside out, upside down, shot-for-shot, but when the lights went down and this production began, I put all of that out of my mind, forgot all about it and as much as humanly possible, made no comparisons and let this director and this company of actors tell me the story of this play. And guess what? I was blown away.
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney