orangeskittles said: "AADA81 said: "Disney hasn't tried to conquer Broadway to advance any art form. It's about making lots of money on tried-and-true properties that they continue to repackage for public consumption. Period.."
You literally just described all of Broadway. Remember Roundabout's Cabaret revival revival? Or the 4 separate revivalsof Glass Menagerie or Cat on a Hot Tin Roof in just my lifetime? Do you trulythink they're all "advancing the art form" by tossing a celebrity into a Williams play every 3-5 years, or do the producersjust want to make money?
I wish Disney would do morelike Aida and produce shows that aren't just their cartoon movies onstage, but they're too into their own branding now, so I can't see that happening."
No one produces anything on Broadway wanting to flop (except Bialystock & Bloom) but that doesn't mean the creators don't try to do something unusual. I think 'The Band's Visit', 'August: Osage County', 'Dear Evan Hansen' and many others were pushing the envelope in different ways. It's possible to do both.
Revivals used to be rare on Broadway but they are now almost a necessity. "Long Day's Journey..." with Vanessa Redgrave, Brian Dennehy and Phillip Seymour Hoffman was a memorable theatrical experience in 2003, and the Sally Field revival of 'The Glass Menagerie' at least attempted a different (though wrong-headed IMO) approach to the material. It's possible to do both.
Disney's formulaic approach is rooted in the marketing of established brands, i.e. animated-or-musical-film-to-stage-musical-to-live-action-film. We have up-coming movie re-versions of 'The Lion King', 'Aladdin' and a 'Mary Poppins' sequel to look forward to. Branding. Why, I even heard tell of a rumor that they're creating a new kingdom for Disneyland and Disney World to be called .... Brandland.
I can't wait.
Updated On: 11/23/18 at 12:33 PM