#1
Posted: 12/28/03 at 3:45pm
A post from MisterMatt in the chronologically challenged thread sent me back to the John McGlinn studio recording of Show Boat.
Thought I'd try to get a thread started on the achivements of this remarkable show, particularly when you hear how the authors originally conceived the material. Show Boat has been softened over the years, with many of its disturbing elements removed, until the piece has seemed operetta-lite. Even the generally respectable Hal Prince revival a few years ago didn't bring back all of the elements that made the opening night audience in 1927 greet the show with stunned silence at curtain call.
As originally written, sweet little Show Boat contains a rather shocking opening lyric. Race relations throughout the show are depicted in unsparing terms, with the famous miscegenation scene a particular stunner. (I don't think there's anything quite like it until you get to South Pacific).
Yes there are questionable passages, and "In Dahomey" should probably never be performed in any production, but the scope of the score is an astonishment, and the next revival simply must incorporate the brash, mournful "It's Getting Hotter in the North" to bring it all full circle. (The song also links mother and daughter in Show Boat, by having Kim simg a melody line based on Magnolia's piano exercise when she meets Gaylord.)
With all due respect to the achievements of Oklahoma! (and they are considerable), the innovations of Show Boat always knock me out when I revisit it every few years. Any other admirers?
Thought I'd try to get a thread started on the achivements of this remarkable show, particularly when you hear how the authors originally conceived the material. Show Boat has been softened over the years, with many of its disturbing elements removed, until the piece has seemed operetta-lite. Even the generally respectable Hal Prince revival a few years ago didn't bring back all of the elements that made the opening night audience in 1927 greet the show with stunned silence at curtain call.
As originally written, sweet little Show Boat contains a rather shocking opening lyric. Race relations throughout the show are depicted in unsparing terms, with the famous miscegenation scene a particular stunner. (I don't think there's anything quite like it until you get to South Pacific).
Yes there are questionable passages, and "In Dahomey" should probably never be performed in any production, but the scope of the score is an astonishment, and the next revival simply must incorporate the brash, mournful "It's Getting Hotter in the North" to bring it all full circle. (The song also links mother and daughter in Show Boat, by having Kim simg a melody line based on Magnolia's piano exercise when she meets Gaylord.)
With all due respect to the achievements of Oklahoma! (and they are considerable), the innovations of Show Boat always knock me out when I revisit it every few years. Any other admirers?
"Gif me the cobra jool!"