The atmosphere was also very playful for tonight's final performance by Brian d'Arcy James. Some of it was what you'd expect, such as a hearty round of entrance applause. At the end of "A Musical," Brad Oscar deflected the applause, and at the end of "Omelette," the cast was cheering for him and took a step back to give him the moment.
James was savoring every moment he had on stage. There was an added bounce to his step and I'm pretty certain he danced at times he normally didn't. There were little things I noticed like kissing the Omelette egg at the start and end of his soliloquy that I don't recall. John Cariani received a huge smooch on the cheek at the end of "Bottoms Up."
The best parts were with Christian Borle. The tap dance battle had extra flourishes by both. Borle added extra moves during a pause before completing the line "..and Romeo and Juliet" while James prolonged the toe circle and jumped in the air to answer "Yes" to being the author of Omelette.
Then there was the improv during Toby Belch's intro scene. As Toby sought his audition, he was asked to sing a song ("Accompaniment?" "No, a cappella."
to see if Nick would hire him. Borle asked James for a topic that he eagerly provided - having a baby. Borle turned around, did the focus and center gesture, then started singing about "having something come out of him." After he was done, he asked if there was also a dance call, and James laughed and then picked back up on the script by hiring him. As they exited, Borle pulled an Oprah and kept pointing to the troupe while exclaiming, "And you get a Toby, and you get a Toby, and..."
Oscar started tearing up during his curtain speech, then James thanked the House staff, producers, etc. before acknowledging that he loved spending time with people who had become family on stage. He also thanked the repeat fans and encouraged them to come see Rob McClure take over the "silly pants."
Updated On: 5/30/16 at 01:52 AM