Jim Steinman's college friend Barry Keating wrote the score and the lyrics. I had the 'honour' of speaking with him on some occasions, and he actually wrote a piece with Jim called Rhinegold (played at the Mercer Arts Center and Playwrights' Horizons in '74). I have numerous 'links' to this Keating, but I've never really heard the score all the way through. Lyrically, he stole the title of the song MILADY from Fox and Steinman's Confidence Man musical, and his mention of the word Obsidian was taken from Steinman's Obsidian Productions, and previously the name of the city in his futuristic Neverland musical. I'd give this one a chance - purely on the merit it got a few Tony nominations. Unfortunately, Keating has been stuck on this one for decades, and I just wish he'd get on with his life and write something else (and preferably with Steinman)
Who can explain it, who can tell you why?
Fools give you reasons, wise men never try
-South Pacific