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The Current State of Broadway... — Page 2

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#26

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Your 'conclusion' was essentially 'nuh uh.' But, rather than banter further I'll accept you have your position and I have mine and leave it at that.

But, even though I've never smoked pot in my life, I still prefer the moving storytelling and social relevance of the songs in a 3 and a half hour Springsteen concert to the flaccid plot servicing of a Sondheim show any day of the week.
#27

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JohnPopa, you're certainly entititled to your preference of a 3 hour Springsteen song over a 2.5 to 3 hours musical theatre piece, Sondheim's or otherwise. By your logic however, why would a Dickens, or a Trollope, or a Dostoyevsky, or any novelist even consider writing a novel when someone else can easily write in 3 sentences: "I love you. I hate you. I kill you, you die and then I'm sorry." Its a pretty superficial argument.

Yours for a better Broadway!

Updated On: 8/5/03 at 08:57 PM

#32

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You're right, my logic isn't clear because I misread your statment. I thought you meant you prefer a 3 minute Springsteen song over a 3 hour musical theatre piece. Then I couldn't delete the post so its not clear.

Don't be offended but what I really wanted to say after scanning your points in the thread is that as far as musical theatre is concerned you don't know what the heck you're talking about, in my humble opinion. So far, no one has yet to prove that a successful post-1960 popular songwriter can write a stage musical of any substance. Lets just ignore talent for a minute, their understanding of the craft simply doesn't exist.

Back to my point earlier in this thread that sub-standard education which has burgeoned in the last 20-25 years, with lessening focus on Western and Eastern classics in every media, breed people with very narrow frame of reference. No wonder the talents of the 21st century are for the most part simply lame. They have grown on a diet of television and pop/rock music. Even the rock songs today are crap compared to those of the 50s/60s and early 70s. LOL.

Yours for a better Broadway!
#33

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You're missing my point entirely: I'm saying the songwriters of the 60's and what not and their songs became the songs of populism and the songs of the era, just as Hammerstein's and Berlin's songs had in the era before them. It's not about who can write a better musical in the slightest, it's about where the voices of the social creative arts came from. Before the 60's those voices were in the theater, led by Oscar Hammerstein's passionate politics and social outcries but after him those voices started coming from the rock/folk/blues genre and the populace gravitated in that direction. Surely no one thought Jerry Herman or Charles Strouse were especially relevant to the mainstream of society. It started there and has continually diverged since then. Good, bad or otherwise.

And, no, the pop of the 40's and 50's was not better crafted than the rock of the 60's and 70's. No offense intended, but you don't know what the heck you're talking about either.

Updated On: 8/5/03 at 10:06 PM

#34

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"Surely no one thought Jerry Herman or Charles Strouse were...relevant to the mainstream of society?" Are you nuts? They WERE the mainstream!! For heaven's sake, the song "Hello, Dolly!" was re-tooled for Lyndon Johnson's re-election campaign!! ("Hello, Lyndon, well, Hello, Lyndon, we're so proud that you're the man the country cheers....") Best get your facts straight.
#36

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John, I had decided against responding but MusicMan did it best. He makes the point, and it supports my point...you don't know what the heck you're talking about when it comes to the musical theatre, from what I've read so far.

But hey, there are thousands of topics I know little about, too. C'est la vie. LOL

Yours for a better Broadway!
#37

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Oh, how it stings to be yesterday's news ...

You'd think this music was actually appreciated by legitimate music scholars the way you people carry on. Other than Bernstein and maybe Sondheim, depending on your prof, musical theater is elective filler material in the musical canon. Blues and jazz carry ten times the weight.
#38

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Well, JohnPopa, the next time you're in my neighborhood, drop in and check out my ceiling-to-floor, eight-foot wide bookcase stocked with books, monographs, encyclopedias, histories, biographies, scholarly textbooks, yearbooks, and critiques devoted strictly to musical theater. Then, while you're picking your jaw up from the floor, open up the hallway door and scan the hundreds of titles I haven't gotten around to reading yet. After that, we'll stroll up to 125th Street and pore through the bin of musical-theatre material I've got in storage there. Then you're welcome to head downtown to the Rodgers and Hammerstein Archives and peruse their stacks---but you can do that on your own. Have fun!

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