Interesting, gothampc, and I agree.
THREEPENNY OPERA is nothing if not overtly political. The source material, John Gay's THE BEGGAR'S OPERA, was a political diatribe, cloaked in the style of restoration comedy. Weill's version was a lashing out at the consequences of the Weimar Republic in Germany. Given our current political climate, could there be a better time for a revival of this most political of musicals?
Updated On: 12/2/04 at 11:36 PM