#1
Posted: 4/20/06 at 3:51pm
Financial Times (UK) is early again and gives it Two out of Five Stars:
"Jim Dale, recognisable to millions for his voicing of Harry Potter audiobooks, adds a very un-Brechtian aspect to the current revival of The Threepenny Opera: redemption. As Mr Peachum, beggar king and father to Macheath’s young bride Polly, Dale injects a rather anaemic evening with desperately needed life. In his second-act solo, “The Song of Inadequacy of Human Striving”, he uses his body with an elasticity Pilates instructors half his age might envy, all while retaining the cynicism towards respectability that makes this 1928 Brecht- Weill collaboration as biting as ever.
Only one other moment in this Roundabout Theatre production matches Dale for excitement: when Cyndi Lauper, as prostitute Jenny, sings “Solomon Song”. Centre-stage, and attired in a fluff-collared ensemble that is a welcome break from Isaac Mizrahi’s other, more S&M-meets-post-punk costumes, Lauper brings her character’s hollowed-out determination into focus.
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Mac, played rather well by Alan Cumming, presides over a coked-up underworld, where bisexuality is evident and pornography is an unremarked part of the decor. Nellie McKay plays his bride, Polly, promisingly in the first act, wanly later.
If there is nothing shocking about the production’s overall concept, chosen by the director Scott Elliott, there is nothing especially illuminating either. The new translation, by Wallace Shawn, may startle those familiar with the recording featuring Marc Blitzstein’s too-sanitised lyrics, but Shawn’s plethora of four- letter words ultimately does not cut deep."
http://news.ft.com/cms/s/0ba0b684-d08f-11da-b160-0000779e2340.html
"Jim Dale, recognisable to millions for his voicing of Harry Potter audiobooks, adds a very un-Brechtian aspect to the current revival of The Threepenny Opera: redemption. As Mr Peachum, beggar king and father to Macheath’s young bride Polly, Dale injects a rather anaemic evening with desperately needed life. In his second-act solo, “The Song of Inadequacy of Human Striving”, he uses his body with an elasticity Pilates instructors half his age might envy, all while retaining the cynicism towards respectability that makes this 1928 Brecht- Weill collaboration as biting as ever.
Only one other moment in this Roundabout Theatre production matches Dale for excitement: when Cyndi Lauper, as prostitute Jenny, sings “Solomon Song”. Centre-stage, and attired in a fluff-collared ensemble that is a welcome break from Isaac Mizrahi’s other, more S&M-meets-post-punk costumes, Lauper brings her character’s hollowed-out determination into focus.
_______________________________________________________________
Mac, played rather well by Alan Cumming, presides over a coked-up underworld, where bisexuality is evident and pornography is an unremarked part of the decor. Nellie McKay plays his bride, Polly, promisingly in the first act, wanly later.
If there is nothing shocking about the production’s overall concept, chosen by the director Scott Elliott, there is nothing especially illuminating either. The new translation, by Wallace Shawn, may startle those familiar with the recording featuring Marc Blitzstein’s too-sanitised lyrics, but Shawn’s plethora of four- letter words ultimately does not cut deep."
http://news.ft.com/cms/s/0ba0b684-d08f-11da-b160-0000779e2340.html
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
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