In my opinion, I think the categories themselves need a little re-tooling. For instace, since the Best Musical award goes to the producers, it makes sense for it to go to Spamalot. But in my opinion, the show awarded the title of "Best Musical" should be what is considered the best piece of art for the season, i.e. The Light in the Piazza. In order though, for this to work, they should have a Best Production of a Musical award that goes to the producers [which revivals would be eligible for], seperate from Best New Musical of the Year. The Laurence Olivier Awards have it set up this way, and I think its a great way to work things. Its a way to reward the intricate pieces like Caroline or Piazza, while still giving producers a "Best" to put on the marquee.
This is just one idea I have, but I think that this could go a long way in improving the quality of the awards, in addition to those already mentioned here.
I also wish there was some way to put a tighter hold on bribes, and buying votes, but I don't know what it would be.
I have several names, one is Julian2. I am also The Opps Girl. But cross me, and I become Bitch Dooku!
Updated On: 10/18/06 at 09:48 PM