No one remembers, but there was to be a stage show back in the 70s, Alexis Smith was talked up as Helen Lawson. (singing "The Story of Bushes and Trees?") Then, there was a new MOW, setting it in the world of rock music. Ooooh. Cut-ting Edddddge.
The novel remains lurid and laughable on every page, but actually, not a bad portrait of the b'way theater in the 40s and early 50s. The sense of Helen-really-is-Merman makes all that stuff work, whereas Hayward, God Bless her, neve really seemed Merman-esque. Updating it to the 60s, and putting Helen on stage in a drag queen costume and hairdo, standing 'neath her plexi-glass mobile destroyed any sense of versimilitude. And of course, we all turned to Ms Susann for versimilitude.
My favorite thing in the movie can only be appreciated on a 100th viewing: all the scenes that end with a question to Barbara Parkins' Anne, to which she simply stares at the camera, Stepford like. She's the most sullen, monosyllabic heroine to ever inhabit a major film. Like Geraldine Chaplin in ZHIVAGO, she barely even speaks.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 1/18/04 at 02:33 PM