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What makes a good Theatre Biography?

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What makes a good Theatre Biography?

Just finished reading Still Here, Alexandra Jacobs biography of Elaine Stritch, and loved it. It struck me how different the writing is when I compare it to the other theatre biographies and autobiographies on my bookshelf. To those of you who are also voracious readers - what makes a "good" biography?
"Life is already so dark. If you have got the talent to make it brighter and bring people hope & joy, why would you withhold that?"

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