Remember, art is a business just like McDonald's: got to give 'em what they want and try to induce them to do what they should. Starving artists cannot live long in NYC, too expensive. That's an interesting thought: does Broadway change to serve its audience or does its audience come to Broadway to be changed? I'd like to think that when tourists want to see a Broadway show, they'll see a Broadway show. They won't go up to the TKTS boards and go, "Hmmm, none of these are dumb enough for me, I just won't see any Broadway shows while I'm here." They'll see what appeals to them the most out of that list, Broadway doesn't need to pander to them.
Yes, I understand the whole "Broadway is a business" argument, but when you're giving your audiences crap and calling it legitimate (even high-calibre) theatre, then you're cheating your customers.
McDonald's only serves bad food because they can't afford better and fresher goods; but the difference between a good show and a bad one isn't about finances, it's about vision. There are plenty of fun, feel-good shows on Broadway that are also well-crafted; Hairspray, for example. You can have good, quality fun. But it's just lazy and insulting to audiences to make a cookie-cutter show with a thin plot and cheesy characters and have audiences swallow that.
BlueWizard's blog: The Rambling Corner
HEDWIG: "The road is my home. In reflecting upon the people whom I have come upon in my travels, I cannot help but think of the people who have come upon me."