@BroadwayBound, I've heard that as well.. going as far as giving daily vocal notes and her opinions on how the material should be performed to her castmates.
Having a great voice is only a part of the equation in casting and many a great voice has not resulted in a successful musical theatre career. Traditionally acting has not been as big a deal in opera, where the voice rules, but no one wants a voice in musical theatre that doesn't seem able to sell it as anything else.
I don't know any specifics here. but it is certainly true that people who are hard to work with, unless they are superstars, often don't get cast (and vice versa). If you put yourself in the position of a director who is going to have to spend a couple of months rehearsing with someone, or a producer who is going to have to deal constantly with a PITA, it becomes clear why some people don't get cast a lot.
Phillypinto said: "yea but she can act. she probably hasnt done more broadway cause she either doesnt want a show or cant get a show for one reason or another"
Didn't you just answer the whole point of your own thread there? Seems like a long path to get here.
haterobics said: "Phillypinto said: "yea but she can act. she probably hasnt done more broadway cause she either doesnt want a show or cant get a show for one reason or another"
Didn't you just answer the whole point of your own thread there? Seems like a long path to get here.
But it's time well spent if you're bored, crave attention and truly, truly have no more productive use for your time.
Butters, go buy World of Warcraft, install it on your computer, and join the online sensation before we all murder you.
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ATTENTION FANS: I will be played by James Barbour in the upcoming musical, "BroadwayWorld: The Musical."
Phillypinto said: "yea but she can act. she probably hasnt done more broadway cause she either doesnt want a show or cant get a show for one reason or another"
as i said, i was speaking generally not specifically, but sometimes a person can act well but doesn't take notes and make adjustments well. That's why directors give adjustments to actors even when they just did great work in an audition-to see how well they take them.
"yea but she can act. she probably hasnt done more broadway cause she either doesnt want a show or cant get a show for one reason or another"
"no cause i dont know specific reasons why she hasnt done more broadway"
People on this thread have already given you plenty of reasonable suggestions. Are you really going to refuse to let this thread die until Christiane comes on herself and answers you?
Christiane Noll (born October 5, 196[1] is an American singer and actress known for her work in musicals and on the concert stage. She is perhaps best known for originating the role of Emma Carew in Frank Wildhorn's Jekyll & Hyde, as well as her roles in Urinetown and Ragtime.
Noll was born in New York City and raised in Leonia, New Jersey, where she attended Leonia High School.[2][3] She is the daughter of conductor and Emmy Award-winning Music Supervisor for CBS, the late Ron Noll,[4]and soprano Sara-Ann Noll. She graduated from Carnegie Mellon University. In 2006, Noll married actor Jamie LaVerdiere, who appeared in the Broadway production of the musical The Pirate Queen in 2007. The couple's first child, a girl, was born in February 2009.[citation needed] Noll has established the Charlotte Black Memorial Fund as an endowed award at Carnegie Mellon University.
Noll appeared as Sister Margaretta in the 2013 NBC Broadcast of The Sound of Music.
In 2010 Noll was seen on Broadway as Mother in the revival of Ragtime at the Neil Simon Theatre for which she was nominated for a Tony Award for Best Performance by an Actress in a Musical. Additionally, she created the role of Emma in the Broadway production of Jekyll & Hyde in 1997 after playing the role in out-of-town tryouts. She also appeared on Broadway in the revue, It Ain't Nothin' but the Blues (1999). Noll earned good notices for her performances as Kathie in The Student Prince in 2000 at the Paper Mill Playhouse and Marianne in City Center Encores! The New Moon (2003). Noll received an Ovation Award for her role as Hope Cladwell in the National Tour of Urinetown (2004). She also created the roles of Vanna Vane inThe Mambo Kings musical (2005), Jane Smart in the American premier of The Witches of Eastwick at the Signature Theatre in Arlington, Virginia (2007), Elizabeth Lavenza in the rock musicalFrankenstein - A New Musical (2007 off-Broadway, 37 Arts) and Jordan inThe Piper at the NY Music Theatre Festival (2007). Noll appeared as Ruth in 2008 in Ace at the Signature Theatre in Arlington.[5]
Noll has starred in the national tours of Grease, as Sandy, Miss Saigon, as Ellen, and City of Angels, as Mallory/Avril, as well as a tour of Australia and Thailand as Nellie in South Pacific. She performed with Plácido Domingo in the Washington National Opera's The Merry Widow as Valencienne at The Kennedy Center (2005). Other stage credits include Mabel in Mack & Mabel (for which she won a 2004 Connecticut Critics Circle Award), Genvieve in The Baker's Wife(2002), Lizzie in Lizzie Borden (2001 at Goodspeed Opera House), The Baker's Wife in Into the Woods(2005), Carrie in Carousel, Laura in A Fine & Private Place, (2006 off-Broadway York Theater), Woman 2 in Little by Little, (1999 off-Broadway York Theater), and Mabel in Eugene Opera's The Pirates of Penzance (2006). Regional theatre productions include Oliver!, All Night Strut, Cinderella, Annie, 42nd Street, My Fair Lady, Sweeney Todd, and Little Shop of Horrors (American Music Theatre of San Jose (200). She played Mother in Ragtime at the Kennedy Center (2009) winning a 2010 Helen Hayes Award for Best Actress in a Musical.
Noll is heard on concept albums for a new musical, The New Picasso, which was released in January 2008,[6] and Dracula, released in 2006[7]
Noll also performs a solo cabaret show and has been a featured member of the Broadway Inspirational Voices Gospel Choir.
Noll has released four solo CD’s, Christiane Noll - A Broadway Love Story (199, The Ira Gershwin Album (2001), Live at the Westbank Café (2003) and "Christiane Noll - My Personal Property" (200. She supplied the singing-voice of Anna in the Warner Bros. animated feature The King and I (1999). Some of her numerous recordings are Jekyll & Hyde (1997), The King & I (1999, Sony Classics), Little by Little(1999), A Christmas Survival Guide (2000), What's a Nice Girl Like You..., Z: The Masked Musical (2000), Bravo Broadway 2, The Three Broadway Divas (with two fellow Divas - Jan Horvath and Debbie Gravitte),Far from the Madding Crowd (2000), The New Moon (2003), Neo: A Celebration of Emerging Talent in Musical Theatre, Benefiting the York Theatre Company (2005), and albums of the music of Stephen Sondheim, Burt Bacharach, Paul Simon, Scott Alan and Stephen Schwartz, among others.
"Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion's starting to make out that we live in a world of hatred and greed, but I don't see that. It seems to me that love is everywhere. Often it's not particularly dignified or newsworthy, but it's always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I've got a sneaky feeling you'll find that love actually is all around."
I love Christiane Noll - I'm always sad that she doesn't do more; but like everyone else, I think she prefers doing concerts/has a family. I thought after the Ragtime revival, she would begin doing more, but alas. I'm keeping my fingers crossed, though!
Edit: Also, it would suck if she's a massive B!
Every so often there was a rare moment of perfect balance when I soared above him.
InnerMonologue said: "@BroadwayBound, I've heard that as well.. going as far as giving daily vocal notes and her opinions on how the material should be performed to her castmates."
That would drive me crazy... Most of the time I really like her work (I *loved* her in RAGTIME and I listen to her albums pretty frequently) but... her performances of the songs from Bridges of Madison County with the Iowa Symphony not-too-long ago were, for me, very disappointing to say the least. Noll and Hugh Panaro seemed like great choices...