I have read several articles and heard several stories about this, and I believe Erin Dilly did not LEAVE the show. She was replaced. Early on in the rehearsel process for the Lajolla run, they decided that Erin was not right for the role, so they asked her to step down. Since it was such short notice, Sutton (who was the understudy in the Ensemble) was forced to step up and take over the role, and, as they say, the rest is history. They were so impressed with her that between the tryout and coming to New York, they re-worked alot of the music (a producer was quoted as saying as much as 70%) to be tailored to Sutton's portrayal. As other people said, this whole thing was kind of unheard of, a relative unknown stepping in for a bigger name and taking the show to New York. The creative team for TMM took alot of heat in keeping Sutton, but when people actually saw her on Broadway, they quickly canged their tunes.
In regards to Kristin Chenoweth, star2be was right. She was intially brought in at the very beginning to audition for Miss Dorothy. They were so impressed with her that they then asked her to audition for Millie, and she got the part, but did leave after some readings. Not, however, to do the tv show "Kristin." She left because she was on a short list of about five people to play Roxie in "Chicago," and so she didn't want to continue on with "Millie" because of the possibility of that. Rob Marshall (the director of "Chicago") ended up thinking Kristin wasn't right for Roxie, but it was between her and Christine Baranski for Mary Sunshine. As we know, Christine ended up getting the part.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Updated On: 11/12/05 at 09:24 PM