Posted: 7/13/16 at 11:28am
Looking to see Wicked next month and I am down to either sitting in Row F of Mid Mezzanine Seats 2 and 4, or partial view in Orchestra Row J or K. What do you all think?
Thanks!
Posted: 7/13/16 at 11:31am
Partial view in the orchestra is much better. Sit house right in the partial view if you can. J or K is fine.
Posted: 7/13/16 at 11:32am
Mezzanine at the Gershwin is not fun. Orchestra—even partial view—all the way!
Posted: 7/13/16 at 11:55am
I agree with the others. Orchestra partial view are great seats for the price, the farther back the better, row J/K would be great. Those seats in the mezz are both far back and right in front of the walk way to one of the exits, I sat there once and I was so distracted by the amount of people walking in and out to go to the bathroom/get drinks.
Posted: 7/13/16 at 12:49pm
Do you need another opinion here? Okay. Here it goes.
I sat up front in the mez at the Gersh for Wicked. I said, "note to self: never buy mezz at the Gersh again." Orch, anywhere, all the way over the mez. To me.
Posted: 7/13/16 at 1:27pm
My daughter and I have seen Wicked 10 times from every section - the show is so good any seat is fine - we sat last row Mezz on Opening Night and it was thrilling - further back is better than 1st row Orch - enjoy
Posted: 7/13/16 at 4:43pm
Thank you all! I ended up buying Orchestra partial view row J house right. Excited! You all have made me feel a lot better. Thanks again.
Posted: 7/13/16 at 4:44pm
I've seen the show a lot in every different section. I prefer being close to the stage so I always get the closest partial views. For a first timer Row J or K partial view is perfect.
Definitely go for the partial view tickets in the orchestra. That theatre is huge and sitting in the mezzanine you feel like your across the street.
Posted: 7/13/16 at 4:47pm
tetris1088 said: "Thank you all! I ended up buying Orchestra partial view row J house right. Excited! You all have made me feel a lot better. Thanks again."
That's a perfect seat. Have a great time.
