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Yale's (or was it NYU?) Production of PARADE

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#1

Yale's (or was it NYU?) Production of PARADE

In some major universities I have been to, productions have been recorded for actors', designers', directors', and schools' archives. And in some, parents brought cam corders.

I'm interesting in seeing their recent production of PARADE...however it is YALE (or NYU!) so I am unsure how strict their videotaping policy is. Whatever the case, it is illegal, but are they strict about it? You think there is a parent out there who didn't follow the rules?
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
#2

re: Yale's (or was it NYU?) Production of PARADE

NYU performed Parade last year. I believe Hal Prince was so impressed by the production, that he has a tape placed in the Performing Arts archives at Lincoln Center, so you can view it there.

It was a great production, one of their best.
#3

re: Yale's (or was it NYU?) Production of PARADE

Oh really? I'll have to see it next time I go to New York. From what I understand, the OBC PARADE video isn't too good.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
#5

re: Yale's (or was it NYU?) Production of PARADE

I assume it was recorded for the libary as well...?
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle

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