GENERAL POINTERS: It's always best to find a song that the character you're auditioning FOR would sing. And also in the same style of the show, vocal range and personality...
For example, if auditioning for the role of Bobby Strong in URINETOWN, singing "Purpose" from AVENUE Q is suitable. Because it is the same style of music, the same vocal range, and same personality.
If you wanted the role of Curly in OKLAHOMA!, no matter how well you sing "Music of the Night" from THE PHANTOM OF THE OPERA as an audition song, it's just not appropriate for the character you're auditioning for. Do you see what I mean?
CHOICE OF SONG:
Classical musical theatre or operetta, huh? Have you tried Gilbert and Sullivan? Maybe you can get lucky with a Rodgers and Hammerstein love song? Or Bernstein.
I'm not terribly familiar with Yeston's PHANTOM (though I am familiar with his music). Perhaps something else from Yeston's repertoire, like THE GRAND HOTEL or TITANIC? Or try your luck with today's "contemporary" operetta of choice, THE LIGHT IN THE PIAZZA.
32 BARS:
Most casting directors and pianists are okay if you go over (or under 32 bars) if only by a bar or two. So long as it's not embellishing or taking up their time.
A "bar" is a space of music between two vertical lines on the staff...
For example, in this image, there are 6 bars:
http://www.encoremusic.com/37/1/2210/Sample-piano-sheet-music.png BREAK A LEG! Yeston's music is unbelievable.
Updated On: 8/22/07 at 09:30 PM