I'm guessing that most stagehand work ends when you walk out the door at the end of the day.
Actors in musicals (for example) warm up and exercise their voices at home, take (and pay for) voice lessons, memorize scripts and script changes, and so forth. Many of those who have very physically demanding roles also work with trainers--usually on their own time.
It's not an exact correlation, but in my view actors (and musicians) are akin to teachers who spend many hours preparing for (and later evaluating) a "performance" (classroom time). That public "performance" is just the visible tip of a much larger time-and-effort iceberg that is necessary but often invisible. A friend of mine who used to be a teacher quit a year and a half ago to work for the government. She never takes work home (can't, for security reasons) and gets paid for every minute of overtime she works. (And--and this is off-topic, but I'm saying it anyway to forestall comments on this aspect, which would really take this thread off-topic--she says she doesn't miss the time off in the summer because she never gets tired enough to "need" it). It's true that those of us in teaching--or acting, or other professions that require a great deal off "off the clock, unpaid" work--did know that it would be required of us before we "signed on"; I'm not intending this post as a "poor me" complaint. I'm also not denigrating stagehands and their contributions, just responding to your complaint about the pay differential as you see it.
And why the heck is this thread called "actor vs stagehand"? Is there some kind of war going on somewhere that hasn't been advertised? Last time I checked, they both wanted to get back to work.
Updated On: 11/25/07 at 11:09 AM