jv92 sees "Guys and Dolls" (2/17 evening show) — Page 2

Put me among those who enjoyed it. Yes Kate Jennings Grant is great and, no, Bierko isn't quite on her level but they have great chemistry and the whole Havana sequence worked beautifully. I had no problem with Platt - he's not Nathan Lane seems to be the issue. He's much more the traditional Nathan Detroit - a character actor who can handle the limited vocal opportunities. He got the laughs when I saw it. Lauren Graham is definitely a work in progress but she has loads of charm and charisma and I ended up quite liking her.

Other plusses for me were the projections which I thought worked great and the choreography which was spectacular. Steve Rosen was the best Benny South Street I have ever seen, and Jim Ortlieb's Arvide was also on the money. For the first time ever I enjoyed More I Cannot Wish You. It was also good to see Jim Walton on Broadway again as a very funny Harry the Horse.

I agree they should lose the Runyon thing but overall there's a lot to like in this show and I'm recommending it.

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i agree that oliver platt is miscasted totally. Try the student rush they are partial view cause you cant see the projection screen in the middleback of the stage. but thats all you really miss.
And did anyone else see carrie fisher on tuesday night

The Damon Runyon character says nothing and is only on stage for a total of less than two minutes in a two and a half hour long production. Really guys, get over it lol. He doesn't need to be there, but it's a revival and they're trying out a few new things. It's not the end of the world lol.

My concern about the Runyon character is the fact that anyone in the audience who doesn't know that GUYS AND DOLLS was based on this guy's stories will have no clue who he is or what the heck the purpose of his insertion into the show is for.

The people in front of me were scratching their heads at intermission wondering what the heck that part was about.

Heck, even I was trying to figure out the purpose of what that part was for, and I knew who he was before entering the theatre.

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I think it's worth seeing for the incredible choreography -- the best I've seen from Trujillo -- the video projections that I personally think do a fantastic job of engaging the audience, and Kate Jennings Grant's above average Sarah.

I think it's interesting to see how an actress can take a role like Adelaide -- known for her over the top humor, yet sincere humanity -- and make her both unfunny and unhuman.

Graham completely disappears on stage. She turns what should be knock-out showstoppers into so-so dance breaks. The hot box girls surrounding her each have more talent and ability to catch the audience's attention than Ms. Graham, and it's almost painfully mind-boggling to experience for any audience member who knows the character and the show so well.

So the question is, do you mind investing in a ticket to see just HOW blank a slate someone can make such a powerfully drawn character as Miss Adelaide?

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