The child labor laws in England that pertain to child actors stem back to an old rule that specified not how many performances a child could perform a week, but how many they could perform a year. Hiring multiple children to play a role was initially designed to allow producers the chance to not have to replace child actors every few months.
When Andrea McArdle came to the UK to open ANNIE, she only did 40 performances; she had 4 alternates (understudies), but I believe played a regular 8 performance a week schedule; when she left the show, the role was regularly split by two actresses who had been her alternates, with the two other alternates staying on as their alternates.
MATILDA and MARY POPPINS in the UK continued with the 4 alternate tradition and that carried over to the US at the wishes of the producers. There are no rules in American Equity that state that a role on Broadway for a child must be split with an alternate. When ANNIE was last revived on Broadway, it had one principal cast (as the original Broadway production did). A matinee Annie was added later in the run, though I think it was due to special circumstances and not any kind of Equity rules.
All the girls in the original production of ANNIE, Patty Duke in THE MIRACLE WORKER, Patty McCormick in THE BAD SEED are all examples of dazzling performances by children who didn't split the role. I never heard any of them complain that doing the roles (some did them well over a year) was exhausting or something they regretted later as adults.
Updated On: 4/8/20 at 10:26 AM