#1
Posted: 10/11/06 at 1:23pm
Anyone attending this week, please post as fully as possible. Rumors are flying at the Other Board about the Playwrights version being semi-restored, or at least "The Girl Who Has Everything" and the current prologue being removed. The show is too special (and wonderful, to my thinking) to be seriously damaged by the addition or deletion of one or two numbers. (And I much prefer "Goin'Places" -- in fact, find it a vast improvement).
I'm not sure there is a definitive framing device that will please everyone. Start with Old Edith, Little Edie...the show still makes demands on an audience, inviting us to plants seeds that will only pay off an hour later. I think it makes the piece ambitious, but others continue to be bewildered by the stakes in act one. Some people are seriously suggesting showing the documentary in the lobby, in an endless loop. But I'm very curious about what transpires in the preview period.
It's an odd marquis to walk by, because it appropriately touts a slew of awards already won; yet the show's only been seen by (relatively speaking) a handful of people, and is still being worked on, 'round the clock.
I'm not sure there is a definitive framing device that will please everyone. Start with Old Edith, Little Edie...the show still makes demands on an audience, inviting us to plants seeds that will only pay off an hour later. I think it makes the piece ambitious, but others continue to be bewildered by the stakes in act one. Some people are seriously suggesting showing the documentary in the lobby, in an endless loop. But I'm very curious about what transpires in the preview period.
It's an odd marquis to walk by, because it appropriately touts a slew of awards already won; yet the show's only been seen by (relatively speaking) a handful of people, and is still being worked on, 'round the clock.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 10/11/06 at 01:23 PM