Profile for Lot666

I agree completely with the writer's assessment that audiences are now playing the waiting game regarding tickets for anything but a sure-fire sellout. Historically, I've rarely bought tickets at the last minute (unless I was simply filling a slot and not particularly concerned about the show); for anything I'd made up my mind to see, I always bought well in advance. Not anymore. For our last trip in May, I only bought three out of eight shows in advance because I knew the seat se

Going completely against the grain, I thought Pink was just awful from start to finish; I can't recall another less appealing/engaging Tonys host.

As for the Best Musical performances, if I were planning a Broadway trip now, none of them would've motivated me to buy a ticket. I had high hopes for Cats: The Jellicle Ball, but they chose the wrong moments, it looked chaotic, and the volume of their music was too low in comparison to the vocals (the opposite of a

SteveSanders said: "Anyone been in the seats marked partial view, especially in the center section or can you explain what the obstruction is? I'm not familiar with the space."

We didn't sit in partial view seats, but we did sit in the center section, and I can't recall there being any post/column or other architectural feature that might block the view from certain seats. However, the space has a low ceiling (it was definitely not construct

surferbro24 said: "My biggest issue was Isaiah Bailey's Phantom...the chemistry between the Phantom and Christine just wasn't there. Their first scenes in the lair felt awkward rather than hypnotic, and there was virtually no tension between them. Whatever you think the relationship is, the show depends on some combination of attraction, obsession, danger, and emotional pull. Here, that dynamic never materialized. At times they even came across as oddly sassy with one another

dramamama611 said: "Interesting. I wasn't sure if the other person that brought this up (on Reddit, after all) was reading too much into it or not. Sorry to hear, however, that they seem to be spot on about it. Maybe they'll cut it. But I won't hold my breath."

I really do wish they'd cut it (it's only a few seconds and completely unnecessary) because it was the only thing that felt mean in what we otherwise thought was a warm and fu

My husband and I attended the evening performance on 5/13/26 and didn’t love this. We saw eight shows during this visit, and The Lost Boys was the only one that disappointed. It wasn’t bad, but overall we didn’t feel that the transition to a musical really did anything to enhance the story. If anything, it often felt like the songs halted the show every time it started to gain momentum. There are some good voices (Shoshana Bean can really sing), but the on

dramamama611 said: "Question, someone mentioned that they use Connor's voice from his childhood YouTube vid to "prove" or imply the character is gay and found it distasteful. What's your take on it?"

This is true, and it was the only (very brief, just a few seconds) segment in which we thought they may have crossed a line. We didn't feel that it was appropriate to use Connor's actual voice as a child for laughs, and it would in no way di

My husband and I saw it last Thursday night, and both of us LOVED it and would happily see it again. We also both love the TV show (and I've read all of Rachel Reid's books) and were initially concerned that a parody of it might be mean-spirited, but the musical manages to be laugh-out-loud hilarious while remaining reverential to the source material. There are some great voices in the cast, and the two leads bear a sufficient resemblance to Connor Storrie and