Profile for Lot666

Wayman_Wong said: "Sara Holdren...raved about ''Chess.'' And her favorite highlight was Tveit in ''One Night in Bangkok''; she calls it the musical's best song: ''It's such a ridiculous rush that it pretty much justifies the whole project. ... I left my heart—and my wallet and my keys and my sobriety—in this Bangkok'"

I couldn't disagree more. I've loved the song since the original by Murray Head

FANtomFollies said: "I bought a cheaper ticket for Orch Row K - last seat on the right. Is my view going to be super obstructed? It wasn't listed partial view but I'm nervous I'm going to miss a lot. Also - is this seat up against the wall or is there any room to stick my legs out to the side?"

I have no actual experience with the specific seat in question, but I can't imagine your view will be obstructed. However, it may be fairly skewed because

We attended the 3:00 p.m. performance on 11/23/25, and I feel this production is about a four out of five stars. My random thoughts (YMMV):

His sloppy accent notwithstanding, Nicholas Christopher is the reason to buy a ticket. I completely lost it during "Anthem". I need a musical in which this man stars alongside Jordan Donica (I don't know what musical that would be, but I need it).

I found Lea Michele to be adequate, but probably wouldn't miss h

Smaxie said: "It's pretty much a complete facsimile of what's playing in the West End"

I'm not trying to be contentious, but I don't understand what you mean by this. In the current London version, the chandelier (albeit a new, round one) rises from the stage during the overture and crashes to the stage at the end of Act 1, just like it did in the original production. The reports posted here indicate that the chandelier does neither of those things in

carlisle14 said: "The chandelier in Bmore definitely descended at a nice rate of speed. It gets raised to roofline for second act."

I just can't figure out the conflicting accounts of this. Even back during the "reimagined" tour, I reported that the chandelier did not drop during either of the two performances I attended (and I sat directly under it), while others posted that it did drop.

Ironically, the promo video they're using on

Sutton Ross said: "However, I have a feeling that this refers only to the rooftop vs. indoor route."

Yeah, that absolutely refers to just that."

I wrote back to make a distinction between the performance route and the pre-show queue out in the street, and they replied:

"We do not currently have heated coverings outdoors so we suggest you dress warmly. We will endeavor to get you into the building as quickly as possible. In the

ChairinMain said: "My question, as we enter the winter months, is if they are going to do anything about the guest entry experience"

I emailed the show about this and received the following response:

"We indeed have preparations and plans in place to ensure that weather does not impact the safety or comfort of our performers, crew, and audience. While we cannot give you specifics at this time, rest assured that no matter the weather, your experie

Sutton Ross said: "Why would this show specifically have heating and tents outside for their patrons?What is the difference between this show and any other show you're waiting to enter in the Winter? I'm just curious here."

I'm accustomed to a fairly lengthy arrival window for typical Broadway shows, e.g., 30-45 minutes. This affords some leeway in the event that one is held up due to unforeseen circumstances (e.g., traffic, public transportation, or