Profile for MemorableUserName

Ellis's first Madeline curtain call.

https://www.instagram.com/deathbecomesher/reel/DLvZHrXvqIA/

shomeika said: "What this a limited engagement? It seemed to be selling well, was surprised it closed so quickly."

Yes, it was a limited engagement, though it did extend once.

Which worked out well since it recouped in the last week.

https://playbill.com/article/the-picture-of-dorian-gray-recoups-its-investment-in-final-week-on-broadway

It's on the show's page on BroadwayDirect, under the casting section.

https://broadwaydirect.com/show/death-becomes-her

There's also a note on the ticketing page for each performance she's out (that Tuesday, Wednesday matinee, the Saturday matinees).

 

Hilty's leave is now scheduled to run through 7/9 so she should be back 7/10. She's not doing Tuesday evenings, Wednesday matinees, and Saturday matinees through July 19th.

Yeah, I saved a screenshot last night from the official account's Stories. It was too much text to read in 10 seconds. (Should have been a post, not a story for starters.) Some people on Reddit seem to be hinting this is not a trustworthy person, though I don't know anything about her. 

Final bows, Cromer speech, final encore

https://www.youtube.com/watch?v=JZVMnPlsNxU

nativenewyorker2 said: "Caroline Bowman"

That was going to be my guess, but she was a standby, not an alternate (at least in Sunset).

Realistically the only thing that would lead to an extension/delay of the closing is a sudden surge in sales for the last weeks, indicating there's enough interest to keep it going. That bought an extra week for Swept Away in December. Last week there was talk it might happen for Real Women Have Curves, but the advance sales didn't materialize, so it's closing as announced.

Right now the sales for Boop's last week are still very low, with a lot of availability. The closing announcement hasn't had much of an effect getting people to get tickets. No reason to keep it running if they can't even sell that week.







 

Show extended again. Now selling into the first weekend in August.

That being said, Simard is out tonight. Ellis is on as Helen (opposite Roscioli as Madeline). (Learned from other means than anyone's channel. Confirmed on BroadwayDirect.)

millieliz said: "MemorableUserName said: "GiantsInTheSky2 said: "Natalie has a Instagram channel with updates on her performances,it’s listed directly below her bio."

The link to the channel used to be there. As noted above, it's not anymore, unless it's showing something else for you than it is for me:
Dee also had a channel with announcements, but it looks like folks will have to follow her Stories to not miss an annoucement for the 24 hours it's up.

"You can only see the channel links in the instagram app!They don't show up when you visit a profile via a browser."

I was viewing them in the app but took the screenshot in the browser since it's easier to get the links to post here on my laptop. But here are screenshots from the app. Neither of those links are there for me anymore and they were as recently as Monday. Maybe I'm blocked.

No, the sequence is not just crossing a street and walking for three minutes. It begins within the theater, where half of it takes place, so would have to be rechoreographed for each one (as it was between the three-level Savoy and the seven-level St. James). And yes, they would have to take into consideration the layout of each theater, what's around it, the routes available, and conflicts that may make it difficult to do in each location (on Broadway it's the other shows getting out or having their own intermissions) before booking. And the London and New York productions used the same ensemble member, Shayna McPherson, as the camera operator. They would have to train replacements presuming she doesn't want to go on tour since she's from the UK, who would have to relearn it in each stop.

"The six-minute sequence requires McPherson to walk down those seven flights of stairs — sometimes backward — as well as to navigate the uneven pavement and various other obstacles outside the theater. All the while, she must keep shots perfectly framed while holding a heavy camera rig; a millimeter on her one-inch viewing screen can make a difference of a foot on the theater’s nearly 25-foot-tall LCD screen."

6 Minutes. 62 People. 1 Epic ‘Sunset Boulevard’ Sequence.

 

It wouldn't be easy since a key part is the walk, which would have to be restaged in every city, and would have to be factored in when selecting which cities and theaters to book. Plus the lighting and sound are complicated, and so key to a show with no set.

GiantsInTheSky2 said: "Natalie has a Instagram channel with updates on her performances,it’s listed directly below her bio."

The link to the channel used to be there. As noted above, it's not anymore, unless it's showing something else for you than it is for me:



Dee also had a channel with announcements, but it looks like folks will have to follow her Stories to not miss an annoucement for the 24 hours it's up.

 

Nice to see the bump for Real Women..., even if their average ticket price is still the lowest of any show (with Dead Outlaw beating it by a dollar. Even with the boost, the audience just doesn't seem to be there for it, which is very sad.

The links that Dee and Natalie had on their Instagram pages to show their upcoming scheduled dates seem to be gone from both pages. (They were there earlier today when I checked.) Disappointing if they're no longer allowed to announce it (though more fuel for those who don't think the production is forthcoming enough with info...).