Profile for Out In The Sticks

Is there any number in a musical that you think is perfect, you wouldn't want it changed, everything just works.  Not the whole musical just this one piece of perfection.

 

For its Electricity in Billy Elliott, the off stage voice, the way Billy looks, the music starts, he sings the first phrase he walks away and then comes back and continues.  The song, choreography, setting everything just works for me.  I cry every time I listen to it.

&nbs

I think that mine are very unpopular.

1. That Stephen Sondheim musicals where he writes lyrics and music are dire.

2. Sung through musicals are just dreadful, speak those lines that need speaking don't sing em, just sing the songs.

3. Jerome Robbins choreography in West Side Story is of its day and no longer needs to be recreated. Some of the exciting choreographers out there now could make them look like gang members and not like ballet dancers trying to be gang memb

Dollypop said: "I love reading comments by people who have fallen in love with HELLO, DOLLY! the way I did 53 years ago.

Let me tell you a little secret: when I'm in the city to see another show, I rush over to the Shubert to see if DOLLY has let out yet. If they havain't, I wait until it does so I can see the smiles and "the Dolly Glow" as the audience comes out. 

 

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I think this is the most lovely, positive

I saw this at the end of May with Bette and I was bowled over by everything, for a show from the sixties this felt fresh and exciting.  Each and every person on that stage earned every buck, as did all the creatives.  Looking back a little over a month now what do I remember, Bette, Bette, Bette, Gavins enthusiasm and energy, DHP's perfect journey from grumpy to desire and Jennifer Simard as Ernestina Money, why aren't people mentioning her more. I