Profile for bwaylyric

What's the stage door scene been like since her bloody debut?

JSquared2 said: "Cue the "But what about Liza" contingent!

Seriously though-- what ABOUT Liza??"

Same goes for the Patti, Audra, and Bernadette contingents.

Maybe Off-Broadway.  

Dontcha wish your musical was hot like me? Dontcha!

Why is Disney so high on this property?  There are other titles that are more worthy of development and production.  I'd rather see Hunchback on stage.

ucjrdude902 said: "I've always loved to watch the marketing change at the theaters following award season. If anyone happens to grab pics of new marquees, posters, etc. I'd love to see them!"


With their LED marquees, I can see the Broadway Theatre flashing “Tony Winner!”  Blink and you’ll miss the fine print lol

Regardless how you feel about Hell’s Kitchen (I’m not a fan), I thought their performance would’ve made for a better opening number than that DeBose mess. 

Her delivery is grating. Time for a new host next year. 

Every time they cut to Ben Platt, we need to drink a shot.

That background is giving me Gong Show vibes

Just bring back Norbert and Sherie and call it “The Last 25 Years”

I know the acting categories are non-gender specific, but I see no point in having two winners.  If one winner gets more than 90% of votes, the runner-up still gets an award?

Get ready for $300 rear mezz seats!

Has anyone seen this with Adam Jacobs (Captain Walker) recently?  I've seen the show twice in the past two weeks, and he was out both times.  Any explanation for these absences?

How was this eligible for best original score considering there was the 1975 film adaptation?

and both played Lun Tha in the last King and I revivals. 

Do the Tony voters only get to pick one in each category or do they have the preferential (ranked) voting system like they do with the Oscars?

I saw the show from the right orchestra sides and could not see any of the female vocalists until the final bow.  I wish i did.  Their voices were gorgeous.

Jarethan said: "I continue to be really surprised that SUFFS has not caught on yet. I figured the solid (if not spectacular) reviews, coupled with the subject matter, would have resulted in much more comfortable grosses."

I think it's Suff's subject matter that is giving potential ticket buyers some pause.  Between the other IP choices (some bad ones) vs a history lesson (albeit an important one), most may go for the former.