Profile for pattilupwned

Saw the show twice in Chicago over the weekend. Once up in the front center loge, the second fourth row center orchestra. Noticed totally different things with each viewing - up in the loge allowed us to really take in the full set and choreography, while seeing it in the orchestra gave us the chance to admire the costumes more closely, along with some of the cast's more subtle acting choices.

Jessie Hooker Bailey was on for both shows I saw this weekend. Ironically, upon readi

Pithyaspromised said: "Lot666 said: "Pithyaspromised said: "I also really enjoyed Yesy Garcia's debut as Fleck! Nice vocal complement to the trio."

You saw Fleck played by an actress who is not a little person? I'm curious how that changed the interaction of the trio and the audience's perception of them. Fleck was played byNiamh Perry in London, but they changed virtually all of the blocking and choreography for the Australian productio

Pithyaspromised said: "I'm looking forward to seeing Bronson a final time on Sunday before the production leaves town!

An amendment to my previous review of Gardar: while I still think his body language is a bit awkward, he has beautiful chemistry with Alyssa Gianetti. The vocal strain I was hearing last week seems to have resolved itself, and get truly sounded fantastic during this past Tuesday night's performance!"

I will be there too today! :) V

While Meghan Picerno is out performing in Candide, Alyssa Giannetti got to have her debut as Christine in Cleveland during the matinee yesterday. I got to see it, and let me tell you, if I hadn’t known it was her debut by reading Bronson’s IG, I wouldn’t have guessed it. She was stunning. Hit the notes to the title song flawlessly. I can only imagine how it had to feel at the end of it! Lots of love on stage from the cast when she took her bows. And for what it’s worth

Just getting out of the evening show in Detroit. I will preface by saying that I have only seen the London and Australian productions through videos, so I know my opinions don't hold as much weight as those who have seen the physical productions.

The "mask" arch that flies in got stuck 3/4 of the way through Act 2 and the show had to stop. There was a horrid screeching as it came in during Devil Takes The Hindmost (Quartet), and my partner and I immediately knew something

QueenAlice said: "This show isn't nearly entertaining enough to qualify as camp.

i think they should just bring up the curtain and the first thing you see is Patti and Christine standing center stage. The audience would go wild. I felt like the audience partly wasn't even paying attention to the opening number because they were anticipating the entrance of the leading ladies.

 

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In terms of the opening, that was exactly how it w

MrsSallyAdams said: "My issue in Chicago was that the shows structure left the women no one to play off of. They steamroll the bland men in Act One, then clash with nondescript women from the chorus in Act Two. I was hoping the Revlon's or anybody else would get built up when the show transferred but it sounds like this was not the case.

 

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Wholeheartedly agree. I was really hoping that the Revlon plot line would be integrated a bit more betwe