Profile for sppunk

Yea we saw this last Sunday and absolutely loved it. The ending can be interpreted many ways, too, which is fun. 
 

Hayes is a must-buy when on stage. 

I feel alone that I didn’t care much for this (saw it Saturday night). Radcliffe is great, as always, but the s show itself to me feels more performative than having any new on the bones it tries to sale. 
 

Maybe it’s the forced audience interaction - I don’t know. But outer The Unknown, Giant and Just In Time (for the 2nd time) this was my least favorite show of our 4-show weekend. 

Saw this tonight. Started around 7:35, walked out of theater at 9:57. 

Lithgow is putting on a tour de force of anti-Semite wrapped around like a Tucker Carlson “you are the one who should apologize!”  

This will live in my head for a while. 

My wife and I often go to different shows - it isn’t unusual. 

Annnnd it died 

Audio is absolutely phenomenal for this. Kudos to the OM team for putting this together so quickly

Caught this last night and can’t add much more except this is tremendously fun romp, one I hope to catch again. Brilliant writing. 

A friend saw it on its 2nd performance and said it was very well done and Hayes is remarkable playing 10 different characters. 
 

We see it next month, I’m pretty excited (minus the actual theater, which I loathe). 

It’s prime real estate on a river. It’s going to become condos. 

Caught the matinee today. I enjoyed it but it left me wanting … more? I’m not really sure. 

This play should be right up my alley. Dark, psychotic, sinister plays are my jam but Bug for some reason didn’t fully sink its teeth into me. 

The performances are all top notch. But I wanted more. 

The timing is very weird. Too late for any show to mount for an April opening unless it is ready and was planned in the background, and too soon for th cast to draw out the farewell. 

I don’t love this show at the Public but hats off for a great run. 

f**k him 

I greatly dislike this change. it’s bad for the performers and for audiences in my opinion.  

Why? Wendell Pierce yelling at me from the latest revival a few years ago is still fresh in mind.  

EvanstonDad said: "I'd never really seen Lea Michele before watching this YouTube clip. Wow, she really reminds me a lot of Idina Menzel."

She herself turned Funny Girl from a drag, blah show to a powerhouse of emotion and vocals. She’s a force on stage and absolutely kills in this role.  

The NYT reviews mattering left years ago. Now it’s click bait. 

Ran ~2:40 Saturday matinee. 
 

My first time seeing this show and I understand the weak book. But damn this show has banger after banger and this cast slays. 

Caught this tonight. What a marvelous performance marred by terrible sound design.  Henry and Cassie stew the scenes, of course, but the entire cast is so, so good. 

That said: Multiple mics off issues tonight so you couldn’t hear the vocals, and then some muddled vocal from the ensemble, etc. Worst sound design I’ve heard since Sweeney Todd.