Profile for BroadwayCritic1

I saw Betrayal on August 28 and sat in Orchestra B-5. The seat/view was fantastic! In fact, a good portion of the play was almost directly in front of me. At $25, this ticket was a steal.

Has anyone seen JUNK yet at Lincoln Center (currently in previews?) I was surprised to hear the very mixed reviews about the show. It was supposed to be the break-out drama of the season.Any thoughts, experiences, reactions to the show?

I paid $39 for my ticket and it was mid-Orchestra. Excellent seat.

I saw The Honeymooners last night (Opening Night) at Paper Mill Playhouse. With very little tweaking (i.e., Act 2 is a bit long and drags at times- so perhaps cut just 1 song), this is Broadway ready now. Not only Broadway ready, but Tony nominee quality.Michael McGrath and Leslie Kritzer shine as Ralph and Alice Kramden. I am so happy that these stage veterans will finally have leading roles that fully showcases their singing and comedic skills. They are both that good.If it was me, I would ...

I am going tomorrow night; and am very excited about the show.

It all depends whether you saw the show or not:But this will come as no surprise:To relive the show: Come From Away (great story, great score, & great cast--- and it all comes through in the recording) & Groundhog Day Musical (OBCR is brilliant and underrated; and yet another way this show has been poorly marketed.)If never saw the show: Dear Evan Hansen

When I saw Hamilton (NYC) in November, a woman also started singing (and almost dancing) with every song. I asked her to stop and she wouldn't; and then I asked her again and she finally quieted down. But if you are in the middle of the row in the middle of the orchestra section (or any section) -- what can you (or any usher) do to stop this disruptive behavior?

I would like to see the current UK National tour production of Addams Family Musical brought to Broadway. (This is a slightly revised/updated version of the 2010 Broadway Addams Family Musical production.)

Too close. The seats there seem low and the stage seems so high. Last month I sat in Row D (on aisle, left side)- and I thought it was too close. I also sat in Row G which was perfect; and Row J far right- and that was so-so.

Add me to the growing list of commenters who believe Michael Xavier's performance was underrated.I also believe that Rodney Hicks deserves recognition for his performance in Come From Away.

Mathew Morrison would be perfect