#1
Posted: 5/9/12 at 10:33pm
Go from your memory. Of the latest Broadway season's shows, what was the most memorable to you? What made a lasting impression? 5 years from now, what's going to stick out from this season? Exclude anything that may have been abnormal (technical difficulties, house issues, unscripted moments, etc.).
For me:
- Tyne Daly's portrayal in MASTER CLASS
- The set rotating in CHINGLISH
- The flying from SPIDER-MAN: TURN OFF THE DARK
- Jan Maxwell's "Leave You" from FOLLIES
- The "mirror number" from FOLLIES
- Philip Boykin's threatening performance in THE GERSHWINS' PORGY & BESS
- The tone of Cynthia Nixon's voice from WIT
- Christian Borle's entrance in PETER AND THE STARCATCHER
- Christian Borle's mermaid costume from PETER AND THE STARCATCHER
- Christian Borle losing a hand in PETER AND THE STARCATCHER
- A man walking through a door in GHOST
- Tom Edden's waiter scene in ONE MAN, TWO GUVNORS
- Tracie Bennett's performance in END OF THE RAINBOW
- Those chorus boys leaping around in NEWSIES
For me:
- Tyne Daly's portrayal in MASTER CLASS
- The set rotating in CHINGLISH
- The flying from SPIDER-MAN: TURN OFF THE DARK
- Jan Maxwell's "Leave You" from FOLLIES
- The "mirror number" from FOLLIES
- Philip Boykin's threatening performance in THE GERSHWINS' PORGY & BESS
- The tone of Cynthia Nixon's voice from WIT
- Christian Borle's entrance in PETER AND THE STARCATCHER
- Christian Borle's mermaid costume from PETER AND THE STARCATCHER
- Christian Borle losing a hand in PETER AND THE STARCATCHER
- A man walking through a door in GHOST
- Tom Edden's waiter scene in ONE MAN, TWO GUVNORS
- Tracie Bennett's performance in END OF THE RAINBOW
- Those chorus boys leaping around in NEWSIES
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
--Aristotle