In your opinion, which obscure cast recordings of well known shows need to be listened by as many people as possible? My pick, hands down, is the "1992 Australian Jesus Christ Superstar" album. It is the hardest rocking of the JCS recordings and has the best Jesus/Judas combo. Yes, some of the updated orchestrations are on the cheesy side, but man does it get your blood pumping.
"They're eating her and then they're going to eat me. OH MY GOOOOOOOOOOOOOOOOOD!!!!" -Troll 2
The first that comes to mind is the 1993 London Studio recording of Godspell with Darren Day, John Barrowman, Ruthie Henshall and Clive Rowe. By far, my favorite recording of the show. I do love that Australian JCS, too.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
The Vienna Cast recording of HAIR (done in English) is also a favorite of mine. Again, updated orchestration and amazing vocals by most of the cast. Love it!
"They're eating her and then they're going to eat me. OH MY GOOOOOOOOOOOOOOOOOD!!!!" -Troll 2
My personal favorite is the German cast recording of RENT. It was recorded live in the theatre, so it's got an energy to it the Broadway recording is missing a little. Also, the German Mimi (I have no idea what her name is) is absolutely fantastic. Her voice is great and the acting is solid. The cast is all-around very strong in the roles and there's some great voices.
"You mean what was the best picture of the year or what did they pick as the best picture of the year?" - California Suite
bobby - nope. They only released the highlights. What would have made that recording even better (minus the completeness) is if Anthony Warlow would have been able to play Pilot. He was signed and rehearsed, but then he found out that he had cancer and pulled out.
"They're eating her and then they're going to eat me. OH MY GOOOOOOOOOOOOOOOOOD!!!!" -Troll 2
I also think that everyone needs to hear ALW's "Variations" at one point in their life. It was included in "Song and Dance" as the dance portion. But, I like the original recording the best.
"They're eating her and then they're going to eat me. OH MY GOOOOOOOOOOOOOOOOOD!!!!" -Troll 2
Spider - That Vienna recording of Hair is fantastic! I love the updated orchestrations, especially Air and The War. Brilliant recording that should be in everyone's collection.
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
For those curious about the Vienna cast recording of Hair, you can hear audio clips on the German Amazon website. I almost forgot about the Dead End track! Freaking awesome. Hair - Vienna Cast Recording
"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
The first thing that comes to mind is the Austrian recording of CABARET - gritty, gutsy, and beautiful!
I also loved the 70's Australian recording of PIPPIN - and if anyone knows how I can get a copy, please let me know!
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I will definitely have to agree with the Vienna cast recording of Hair. Just simply amazing. I'm also a big fan of the Swedish recording of Rent. Also updated orchestrations and great vocal performances.
The ORIGINAL Danish Tour cast album of CHESS is BY FAR the best recording of the score in English. The re-release was forced to cut some of the recitative because Benny & Bjorn did not want it recorded in the first place so it is not as complete as the first version (instead they include a remix of "One Night In Bangkok"). I treasure my original pressing of the album above most of my other cast albums! SO wonderful.
OH, and though he is an acquired taste, Zubin Varla is not only my favorite Freddie, but also my favorite Judas in JCS. That London revival recording featuring him, along with Steve Balsamo and Joanna Ampil, is so freaking good. My fav recording of JCS.
First, the British Original Cast Recording of "ME AND MY GIRL" for two reasons (1) it's great to hear British accents actually done by British actors. The New York version loses out on authenticity and (2) because the female lead is Emma Thompson. Few people remember what a great singer/dancer she was (and her agents are happy with this situation as they positioned her as a dramatic ak-tirce, not a hoofer. In fact, she was a sketch comic originally and had her own show on the BBC.)
The other suggestion is a cheat. It's not a show famous in the USA. I cannot tell you how much I love the OCR of Peter Greenwell's "THE CROOKED MILE" which played in London in 1959. This show was decades ahead of "Les Miz" and much better. If you can find an LP, cherish it.
Oh, also the original French recording of "Irma La Douce" or even the British version and the London cast of Promises Promises with Tony Roberts.