First off, was a MY FAVORITE BROADWAY: THE LEADING MEN concert ever planned? LOVE SONGS and LEADING LADIES are both wonderful and I watch the DVDs constantly.
Now then, 24 songs were performed at the LEADING LADIES concert. What would your wishlist of 24 songs be for LEADING MEN?
Here's mine:
Patrick Wilson, "Man" (THE FULL MONTY) Joel Grey, "Willkommen" (CABARET) Dick Van Dyke, "Put On A Happy Face" (BYE BYE BIRDIE) Ben Vereen, "Magic To Do" (PIPPIN) Harvey Fierstein, "If I Were A Rich Man" (FIDDLER ON THE ROOF) John Travolta and the cast GREASE!, "Greased Lightning" (GREASE!) George Hearn, "I Am What I Am" (LA CAGE AUX FOLLES) James Naughton, "All I Care About" (CHICAGO) Joel Grey, "Mister Cellophane" (CHICAGO) Boyd Gaines and Raul Esparza, "Being Alive" (COMPANY) Norm Lewis, "Make Them Hear You" (RAGTIME) Adam Pascal and Anthony Rapp, "What You Own" (RENT) Brian Stokes Mitchell, "The Impossible Dream" (MAN OF LA MANCHA) Hugh Jackman, Intro to "Oklahoma" (OKLAHOMA!)/"Not The Boy Next Door" (THE BOY FROM OZ) Howard McGillin, "Music of the Night" (THE PHANTOM OF THE OPERA) Michael Cerveris, "Not While I'm Around" (SWEENEY TODD) Terrence Mann, "Stars" (LES MISERABLES) Colm Wilkinson, "Bring Him Home" (LES MISERABLES) Nathan Lane and Matthew Broderick, "'Til Him" (THE PRODUCERS) Antonio Banderes, "I Can't Make This Movie" (NINE! THE MUSICAL) Norbet Leo Butz featuring Jason Robert Brown on piano, "Moving Too Fast" (THE LAST 5 YEARS) Ewan McGregor, "Luck Be A Lady" (GUYS & DOLLS) Ewan McGregor, Nathan Lane, and Walter Bobbie, "Fugue for Tinhorns" (GUYS & DOLLS) Cast of Jersey Boys, "Who Loves You?" (JERSEY BOYS)
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Plus, I think he would be interested in singing a wonderfully beautiful song he never got to sing in the show.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
A concert like this would make me very, very happy.
I'd rather Michael sing Epiphany. People look at me funny when I say how much I love that song, but the intensity of his performance was just so great.
Boyd Gaines and Raul Esparza, "Being Alive" (COMPANY)
Hypothetically, I'd split it. One of them could sing Marry Me a Little or Someone is Waiting. Raúl sharing a song from the show doesn't sit right with me.
This is a little trite, but something I've never forgotten was Patrick Wilson (who you've already listed) singing Oh What a Beautiful Mornin' from Oklahoma! How I'd love to hear that again...
WHOOPS! I totally meant to write Norbert Leo Butz with JRB on piano. I'll edit...
And I have to say that on that list, my favorite idea is this one:
Ewan McGregor, Nathan Lane, and Walter Bobbie, "Fugue for Tinhorns" (GUYS & DOLLS)
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Ooh ooh I want Ben Vereen to sing Glory and then go into the famous trio with Bebe and Ann on either side (I know it's a leading MEN concert...but pretty please??)
"Now she wants to know WHY, if I'm so fabulous, I would WANT to take care of her child.....I answer with as much filigree and insouciance as I can muster, trying to slightly cock my head like Snow White listening to the animals. She, in turn, is aiming for more of a Diane-Sawyer-pose, looking for answers which will confirm that I am not there to steal her husband, jewelry, friends, or child. In that order."
The Nanny Diaries
Richard Burton, HOW TO HANDLE A WOMAN (from "Camelot") Alfred Drake, WERE THINE THAT SPECIAL FACE/SO IN LOVE (from "Kiss Me, Kate") John Raitt, MY BOY BILL/SOLILOQUY (from "Carousel") Len Cariou, PRETTY WOMEN (from "Sweeney Todd")
Perhaps the Cagelles can reunite and perform "La Cage Aux Folles" for the dance number.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Again, was a MY FAVORITE BROADWAY: THE LEADING MEN concert ever planned?
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
Emcee - where did he sing OKLAHOMA? (Was he in the revival?). Saw him in LITTLE CHILDREN recently and he was great!
As for Epiphany, while he was fantastic in the show and everything he sang was brilliant, I still would rather him get the opportunity to sing one of the better songs he never had a chance to.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle