Apparently Marta Eggerth's breasts are too hot for the code, in "For Me and My Gal" when she and Gene are singing by the piano they have them blurred out.
That blackface scene, still, I am just...
woah.
Damn, I am sad I am going to miss that.
When this movie is over I'll just catch up and whatever in the background until Brigadoon comes on later.
ETA: In this "Blackface Finale" of Babes on Broadway, I just got a serious Judy Garland/Sutton Foster vibe that I've never thought of before.
Updated On: 2/1/06 at 03:00 PM
Broadway Legend Joined: 5/27/05
Isn't it jarring that you can be watching a perfectly enjoyable old movie when suddenly a black face scene will come in and take you completely out of it? It's one of the reasons I don't watch the 1935 Show Boat as much as I'd like to.
So true Kringas, up until that moment I was really loving it, then it was just a mess.
An interesting cultural and historical study though.
Exactly. The blackface scene really did take me out of it.
Anyone else get the Sutton Foster/Judy Garland vibe in that movie?
I don't know Sutton well enough, but I am realizing today that I find "young Judy" very attractive.
It's also a little disturbing to see the way black people are portrayed in The Three Stooges (I'm a big fan) or in Preston Sturges movies--of course, the argument could be made, as Hattie said, "I'd rather play a maid than be a maid."
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