I love all my Ella!
There are the Verve Songbooks and the Verve live albums (Newport, Berlin, Return to Berlin, Rome, Hollywood, Juan-Les-Pins) and the Verve concept albums (Ella Swings Brightly with Riddle, Ella Sings Gently with Nelson Riddle, Hello Dolly, Hello Love, Let No Man Be My Epitaph, Like Someone in Love and the Louis Armstrong Collaborations, including the Porgy and Bess).
Then there are the early albums on Decca, when she was learning from Chick Webb and Dizzy Gillespie and her voice was still girlish: Ella Sings Gershwin (10 years pre-Songbook), Songs in a Mellow Mood and Lullabies of Birdland, which has all her first be-bop-influenced scat numbers.
And then there are the late albums from her post-Verve years, the years during which I would make a yearly summer pilgrimage with whatever friends I could persuade to come with me to my 11th, concert, my 12th, my 13th, my 18th, no matter how broke I was I had to be there, at Carnegie Hall, Avery Fisher Hall, Tanglewood and her last NY concert at Radio City, which I went to alone.
Her voice in these late albums is not as pretty or supple as on the Decca or Verve albums, but this is the Ella I remember seeing live: her Carnegie Hall, her albums with Count Basie and Duke Ellington orchestras, her collaborations with Oscar Peterson and Joe Pass, her Jobim addition to the Songbook series, her one last Gershwin album and her one last Cole Porter.
This is what she was like when I would see her: a 1983 "How High the Moon" which is one of the songs from her Decca Lullabies of Birdland:
http://www.youtube.com/watch?v=2d-l7_TGnIE
Updated On: 8/4/08 at 09:22 PM