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I play Peter Pan!!!!!!!!!!!!!! — Page 2

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#26

re: I play Peter Pan!!!!!!!!!!!!!!

Cap'n hook is the SMARTEST guy ever!! And congratualtions on getting a part!
Was that a fat joke?
#27

re: I play Peter Pan!!!!!!!!!!!!!!

i played peter and am i guy... but then again it was in 7th grade and my voice hadnt changed yet... so i could sing the part lol.
My Music Classroom Giving Page: https://www.donorschoose.org/MrHMusicRoom
#28

re: I play Peter Pan!!!!!!!!!!!!!!

That is awesome...we are doing the play next year...is the play a male part or a female, or does it matter?
"Why do we play with fire?-Why do we run our fingers through the flame?"
#29

re: I play Peter Pan!!!!!!!!!!!!!!

Now wait a minute. The Papermill Playhouse is a highly esteemed institution in New Jersey--about 20 minutes from NYC. It is a state-funded theater that presents lavish revivals of musicals and new works (it is the current home of HAROLD AND MAUDE). I saw Robert Johanssen's marvelous performance in PETER PAN. There was talk of the production moving to New York, but Johanssen injured himself in the flying sequence and those plans never materialized.
"Long live God!" (GODSPELL)
#30

re: I play Peter Pan!!!!!!!!!!!!!!

Congrats!
Beyond talent lie all the usual words: discipline, love, luck- most of all endurance.
#31

re: I play Peter Pan!!!!!!!!!!!!!!

"Now wait a minute. The Papermill Playhouse is a highly esteemed institution in New Jersey--about 20 minutes from NYC. It is a state-funded theater that presents lavish revivals of musicals and new works (it is the current home of HAROLD AND MAUDE). I saw Robert Johanssen's marvelous performance in PETER PAN. There was talk of the production moving to New York, but Johanssen injured himself in the flying sequence and those plans never materialized."

What year was this? CAN'T be pre-1982.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle

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