I'm late to the SIDEWAYS party, because I'd found the trailer uninteresting (despite my love of Alexander Payne). But what a treasure this movie turned out to be. Giamatti is a revelation -- who knew he could sustain a whole film? What bold casting. And I personally hate movies about failed writers, and this one breaks the mold to find something totally fresh in the conceit. I'd always found Haden church to be creepy in extreme (GEORGE OF THE JUNGLE, and hundreds of sitcom appearances) -- but here he uses all his idyosyncratic tics (the dry lip pursing, strutting around, showing off his strange aging hustler physique) to maximum good use, playing a 40ish dude who can't face giving up any trappings of the frat boy life, despite his aching urge to do so. Even that description makes the premise sound cliched, when it's anything but.
My favorite scene -- no a spoiler, really -- is the quiet one when Giamatti and Madsen discuss why they like wine. When's the last time you saw a 40ish woman in a film act like a ... well, just a grown-up woman? No Hollywood cuteness, and all realities in place about owning who you are. This movie has high comedy (the penultimate beat involving a waitress at a ribs joint is quite a 3rd act) and much, much tender feeling. It's a buddy movie that isn't a buddy story per se, and one of the most original and endearing things out there. Anyone else put off by the bland trailer (too much washed out cinematography and scenes at vineyards) should put impressions aside and go.
As for the meaning of the title, isn't it a spin on suicide? The Giamatti character makes a couple of reference to killing himself, albeit in a comic, acid way.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling
Updated On: 12/23/04 at 05:57 PM