#1
Posted: 1/6/08 at 9:53pm
With 2007 being a strong year and attention-grabber for the movie musical genre, I wanted to draw your attention to two other films to add to your list to check out.
ACROSS THE UNIVERSE
COLMA - THE MUSICAL*
ENCHANTED
HAIRSPRAY
ONCE
ROMANCE & CIGARETTES*
SWEENEY TODD
COLMA - THE MUSICAL
In the town of Colma, just south of San Francisco, the dead outnumber the living one thousand to one. Here, one wouldn't expect teenagers to burst out in song, or dance around cemeteries and streets. But, that's exactly what happens. Best pals Rodel, Billy, and Maribel find themselves in a state of limbo; fresh out of high school, they are just beginning to explore a new world of part-time mall jobs and crashing college parties. As newfound revelations and romances challenge their relationships with one another and their parents, the trio must assess what to hold onto, and how to best follow their dreams. It's a love song to the city, and to the residents who dream of a better (and more musical) life.
ROMANCE & CIGARETTES (new to U.S.)
Romance and Cigarettes is a down-and-dirty musical love story set in the world of the working class. Nick (James Gandolfini) is an ironworker who builds and repairs bridges. He's married to Kitty (Susan Sarandon), a dressmaker, a strong and gentle woman with whom he has three daughters. He is carrying on a torrid affair with a redheaded woman named Tula (Kate Winslet). Nick is basically a good, hardworking man driven forward by will and blinded by his urges. Like Oedipus at Colonus, he is sent into exile and searches to find his way back through the damage he has done. In an imaginative, humorous, and touching way, Romance and Cigarettes explores the cost and value of a relationship through life and death. When the characters can no longer express themselves with language, they break into song, lip-synching the tunes lodged in their subconscious. It is their way to escape the harsh reality of their world - to dream, to remember, and to connect to another human being.
ACROSS THE UNIVERSE
COLMA - THE MUSICAL*
ENCHANTED
HAIRSPRAY
ONCE
ROMANCE & CIGARETTES*
SWEENEY TODD
COLMA - THE MUSICAL
In the town of Colma, just south of San Francisco, the dead outnumber the living one thousand to one. Here, one wouldn't expect teenagers to burst out in song, or dance around cemeteries and streets. But, that's exactly what happens. Best pals Rodel, Billy, and Maribel find themselves in a state of limbo; fresh out of high school, they are just beginning to explore a new world of part-time mall jobs and crashing college parties. As newfound revelations and romances challenge their relationships with one another and their parents, the trio must assess what to hold onto, and how to best follow their dreams. It's a love song to the city, and to the residents who dream of a better (and more musical) life.
ROMANCE & CIGARETTES (new to U.S.)
Romance and Cigarettes is a down-and-dirty musical love story set in the world of the working class. Nick (James Gandolfini) is an ironworker who builds and repairs bridges. He's married to Kitty (Susan Sarandon), a dressmaker, a strong and gentle woman with whom he has three daughters. He is carrying on a torrid affair with a redheaded woman named Tula (Kate Winslet). Nick is basically a good, hardworking man driven forward by will and blinded by his urges. Like Oedipus at Colonus, he is sent into exile and searches to find his way back through the damage he has done. In an imaginative, humorous, and touching way, Romance and Cigarettes explores the cost and value of a relationship through life and death. When the characters can no longer express themselves with language, they break into song, lip-synching the tunes lodged in their subconscious. It is their way to escape the harsh reality of their world - to dream, to remember, and to connect to another human being.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
--Aristotle