PAINT YOUR WAGON
MAGGIE FLYNN
THE UNSINKABLE MOLLY BROWN (Act I)
LITTLE WOMEN
THE STUDENT PRINCE
MISS LIBERTY
A DOLL'S LIFE
KEAN
ANNIE GET YOUR GUN
Parts of ASSASSINS
ST. LOUIS WOMAN
PASSION
SARATOGA
BARNUM
WALKING HAPPY
DESTRY RIDES AGAIN
WHERE'S CHARLEY?
Now that I've skimmed through my iTunes library, what is remarkable is how many more shows are set either "around the turn of the (20th) century" or more specifically between the year 1900 and World War I.
I'm sure some acute cultural critic like henrikegerman or Kad or Pal Joey will want to explain why the Edwardian Era holds such fascination for musical theater creators and audiences. Is it just that the decline and disappearance of the bustle frees up actresses so they can move?