You forgot to mention FIDDLER and ASSASSINS. I loved how the fiddler was on the Radio City marquee.
I thought WICKED would give appeal to non-theatregoers, even though it wasn't their best performance.
WONDERFUL TOWN was very crisp and clean and very good, but the number wasn't flashy enough to appeal.
AVENUE Q I would say captured the most attention, making fun of Gary Coleman, the suckasuckasuckasuckasucka lyric, the set, the bleep (%!@#), and what made it interesting was their being puppets onstage, and then going on to win. Sales will be UP!.
FIDDLER may get someting from their performance. It was well done, but forgetable. Maybe because it was first to perform?
CAROLINE, OR CHANGE won't be on Broadway too much longer.
BOY FROM OZ will have full houses until Hugh leaves, then it'll die down.
ASSASSINS was very forgetable. I know they wanted to showcase everyone, but they didn't sell the show with that song.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
Updated On: 6/7/04 at 01:41 PM