I love 1776; just watched the director's cut on Blu-ray the other night. I wanted to put SHENANDOAH into the mix, too.
Leading Actor Joined: 1/23/12
My answer is Come From Away.
I was re-listening to the OBC of Ragtime with the libretto recently and I thought it was so beautiful and timely on so many levels. Sadly, I never saw this live because the revival closed just before I got to town. In theory, the show seems like it might bite off more than it can chew in terms of themes but I thought it really did a great job in exploring femenism, how conservative attitudes can change over time and how people can learn, people from different backgrounds interacting, the way systemic racism can drive people to get in unfortunate situations, and kill innocent people, the negative AND positive aspects of capitalism. All of this wrapped up with some brilliant, brilliant heartbreaking and technically brilliant performances from Brian Stokes Mitchell & Marin Mazzie, Audra McDonald et al. it feels like the show is needed more than ever. I decided to go back and look at the NYTimes review and I was shocked at how dismissive it is.
Broadway Legend Joined: 1/21/20
Sidney Kingsley's play "The Patriots" is one I like, and in the wake of "Hamilton" it has an interesting place as a dramatization of how Hamilton was previously seen... elitist and largely contemptuous of democracy, but still enough of a believer in America that he was willing to compromise with Jefferson to keep Aaron Burr out of the White House.
Sidney Kingsley's work in general has been unfairly overlooked, I think, because of how influential it was. Half of the shows on TV these days can probably be traced back to either "Men in White" or "Detective Story".
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